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  • Why is it so hard to talk critically about socially engaged art? One of the immediate challenges of reviewing the Nash Gallery’s group exhibition, thinking making living, or any show that presents such work for that matter, is that the included works defy the conventions of language and aesthetic judgement of artistic practice that I’ve learned over the years. Every conference, every conversation related to social practice I’ve been part of has stumbled over how to even define this work. A…
  • Why is it so hard to talk critically about socially engaged art? One of the immediate challenges of reviewing the Nash Gallery’s group exhibition, thinking making living, or any show that presents such work for that matter, is that the included works defy the conventions of language and aesthetic judgement of artistic practice that I’ve learned over the years. Every conference, every conversation related to social practice I’ve been part of has stumbled over how to even define this work. A…
  • Why is it so hard to talk critically about socially engaged art? One of the immediate challenges of reviewing the Nash Gallery’s group exhibition, thinking making living, or any show that presents such work for that matter, is that the included works defy the conventions of language and aesthetic judgement of artistic practice that I’ve learned over the years. Every conference, every conversation related to social practice I’ve been part of has stumbled over how to even define this work. A…