Artworks
Glass, saw horses, steel, kelp
2014
steel, rope, tar, kelp
2014
Glass, saw horses, steel, gum rubber, bronze
2014
Found and fabricated
2014
bronze, Inkjet prints, straw wattle
10' x 10' x 11'
2015
bronze, Inkjet prints, straw wattle
10' x 10' x 11'
2015
Intallation with kelp
2013
Video, dual projection screens, 9' x 13'
9:32
2014
Barrel fans, paper, Graphite, anthropogenic objects
9' x 9'
2016
Inkjet prints, kelp, bronze
Variable
2014
Video
2015
Inkjet print
38 x 48 inches
2014
Video of surf entering and exiting a cave
2014
Inkjet prints, kelp
Variable
Sculpture, prints, Video
2014
steel, inkjet, bronze
2014

Activity

  • Alexa Horochowski posted a new Artwork Cave
    Water entering and exiting a cave creates a suffocating effect by pairing the surf sound with that of a human breathing in and out of a gas mask. 
  • Alexa Horochowski updated the Artwork Cochayuyo
    Three channel video of kelp undulating in the surf. Electronic sound by Artifact Shore.
  • Alexa Horochowski posted a new Artwork Fan Drawings
    Eight barrel fans imitate natural wind vortices bringing together natural and anthropogenic materials to create a series of graphite drawings for exhibition at Highpoint Center for Printmaking.
  • Intervention using freshly gathered native kelp inside Casa Poli Artist Residency, Coliumo, Chile, 2013
  • Alexa Horochowski posted a new Artwork Hood
    This work cast in bronze from a straw wattle, a mass-produced object manufactured to “correct” the destruction of the landscape, functions like a human trophy in our war with the Earth. Scanned pine needles form an obscure and indecipherable alphabet that foregrounds pattern and texture.
  • Alexa Horochowski posted a new Artwork Hood
    This work cast in bronze from a straw wattle, a mass-produced object manufactured to “correct” the destruction of the landscape, functions like a human trophy in our war with the Earth. Scanned pine needles form an obscure and indecipherable alphabet that foregrounds pattern and texture.
  • I am working on an experimental project at the Soap Factory, a Minneapolis not-for-profit art center currently on winter hiatus despite the recently installed heating system—a comfort that may well have been realized at the expense of the sustainability of the 25-year-old organization. The City of Minneapolis imposed its building code; a warehouse building that remains cold in the winter season is an affront to downtown progress, after all. Money must be made, and young entrepreneurs must be l…
  • I am working on an experimental project at the Soap Factory, a Minneapolis not-for-profit art center currently on winter hiatus despite the recently installed heating system—a comfort that may well have been realized at the expense of the sustainability of the 25-year-old organization. The City of Minneapolis imposed its building code; a warehouse building that remains cold in the winter season is an affront to downtown progress, after all. Money must be made, and young entrepreneurs must be l…
  • I am working on an experimental project at the Soap Factory, a Minneapolis not-for-profit art center currently on winter hiatus despite the recently installed heating system—a comfort that may well have been realized at the expense of the sustainability of the 25-year-old organization. The City of Minneapolis imposed its building code; a warehouse building that remains cold in the winter season is an affront to downtown progress, after all. Money must be made, and young entrepreneurs must be l…