Artworks
projection, digital image and video
Duration: 23 mins. Dimensions: 1920 x 1080 pixels
2019
projection, real-time digital algorithm
Approx 90 mins. Projection resolutions: 1920 x 1080; 209 x 383; 129 x 975; 174 x 697 pixels
2019
Multimedia Installation
2017

THE LANGUAGE OF LANDSCAPES (2017)-Promotional Trailer

Experimental Video
Duration: 21 mins 50 secs. Resolution: 1920 x 1080 pixels
2017
Projected digital algorithm, Video
Duration: 11 mins 36 secs. Video resolution: 1080 x 720 pixels
2015
Projected digital algorithm
Duration: 1 month; dimensions: varies.
2014
projection, realtime digital algorithm
Duration: 4:03; dimensions: 780 x 720 pixels
2012

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  • Andrew Lucia updated the Artwork From the Field
    The micro opera From the Field presents three brief glimpses into specific moments in American history in which our government chose to contradict environmental research it commissioned for financial and/or political gain: Dorothea Lange’s Farm Security Administration photographs of rural poverty during the Great Depression; John Wesley Powell’s 19th-century warning about water usage in the American West; and Nobel Laureate Steve Running’s current research on climate change. Drawing on …
  • Andrew Lucia updated the Artwork From the Field
    The micro opera From the Field presents three brief glimpses into specific moments in American history in which our government chose to contradict environmental research it commissioned for financial and/or political gain: Dorothea Lange’s Farm Security Administration photographs of rural poverty during the Great Depression; John Wesley Powell’s 19th-century warning about water usage in the American West; and Nobel Laureate Steve Running’s current research on climate change. CREDITS Ni…
  • A multimedia collaboration between Taylan Cihan & Andrew Lucia. Premier: Barnes Hall, Cornell University CCCP Players Performance, Feb. 8th, 2012 The image, video, and sound components of i don't recall [amarcord.2] are a study in the arrangement and feedback of visual and aural data. Beginning from a limited set of 3 predetermined images, pixel data is fed back within itself--shifted, compared, and recombined.  Here, the (re)organization of continually shifted structural data is constant…
  • Composition by Christopher Stark with visuals by Andrew Lucia 6.8.19 Performed by New Morse Code Re:Sound Festival, Cleveland, OH Performance Notes (Christopher Stark, composer) The Language of Landscapes is a conceptual work which attempts to make commentary on human wastefulness and resourcefulness. It is constructed in four abstract scenes, and the narrative is created through juxtaposing sounds and concepts relating to what we perceive as “natural” and “synthetic.” Sonically, the…
  • Andrew Lucia updated the Artwork Artemisia
    Artemisia, a new opera by Laura Schwendinger with libretto by Ginger Strand, is an opera of passion, betrayal, and art in 17th Century Italy based upon the life of famed baroque painter Artemisia Gentileschi (1593 - c.1656). With projected images that come to life, the opera tackles Gentileschi’s struggles and triumphs as she battles inequality and reveals hidden stories. Visual projections designed by Lucia take impetus from Gentileschi's battles with progressive blindness, complicated with c…
  • Program Notes (Christopher Stark, composer): Velocity Meadows is an eleven-minute concertino for solo oboe, chamber winds, electronics, and video. I was asked to compose this piece by oboist Jennifer Gookin Cavanaugh and conductor James Smart who both teach at the University of Montana where I studied as an undergraduate. I themed the piece around western landscapes because of the geographical connection to the commissioners, and the title is taken from a poem by the recently deceased American …
  • “Their familiarity with the mathematical objects photographed by Man Ray in 1936 open architecture to a close relationship between “surrationalism” (Gaston Bachelard) and surrealism." - Excerpt on A Catalog of Difference from DRAWBOT #2:  Post-Digital Drawing in Architecture and Art; aa[n+1] Gallery, Paris; Exhibition curated by Emmanuelle Chiappone-Piriou and Leslie Ware, 2018. A CATALOG OF DIFFERENCE is a study of change across material and perceptual environments, calling attention to…
  • A multimedia collaboration between Taylan Cihan & Andrew Lucia. Premier: Barnes Hall, Cornell University CCCP Players Performance, Feb. 8th, 2012 The image, video, and sound components of i don't recall [amarcord.2] are a study in the arrangement and feedback of visual and aural data. Beginning from a limited set of 3 predetermined images, pixel data is fed back within itself--shifted, compared, and recombined.  Here, the (re)organization of continually shifted structural data is constant…
  • Andrew Lucia updated the Artwork Artemisia
    Artemisia, a new opera by Laura Schwendinger with libretto by Ginger Strand, is an opera of passion, betrayal, and art in 17th Century Italy based upon the life of famed baroque painter Artemisia Gentileschi (1593 - c.1656). With projected images that come to life, the opera tackles Gentileschi’s struggles and triumphs as she battles inequality and reveals hidden stories. Visual projections designed by Lucia take impetus from Gentileschi's struggles with progressive blindness, complicated with…
  • “Their familiarity with the mathematical objects photographed by Man Ray in 1936 open architecture to a close relationship between “surrationalism” (Gaston Bachelard) and surrealism." - Excerpt on A Catalog of Difference from DRAWBOT #2:  Post-Digital Drawing in Architecture and Art; aa[n+1] Gallery, Paris; Exhibition curated by Emmanuelle Chiappone-Piriou and Leslie Ware, 2018. A CATALOG OF DIFFERENCE is a study of change across material and perceptual environments, calling attention to…