The series of paintings is exploring body positions (standing, sitting and lying) and direct vision opportunities they offer without use of mirrors or other re ecting means. Painting from life was another condition that made the result vivid, existing in space and time, and subordinate to body accommodation, capacities of vision and perception.
Within this project, my interest is drawn to the integration of view, belonging to the body (produced by the body), to the body as a subject. I look from where I am, but I am not there, and I assemble myself — the body is both object and subject. Spectator may thus catch the moment when glance and body meet.We get our perception and experience through our body, but if we get the idea of existence of things due to the body, how can it be objectifed?