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Topic: Feedback on Articles
Replies: 1,148   Pages: 77   Last Post: Dec 6, 2005 8:40 PM by: jaime longoria

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Michael Fallon

Posts: 201
Registered: Jul 3, 2003
Re: Feedback on Articles
Posted: Aug 8, 2003 11:23 AM
  Reply

edit

Sam Spiczka

Posts: 1,671
From: Sartell, MN
Registered: Jul 20, 2001
Re: Feedback on Articles
Posted: Aug 8, 2003 12:06 PM
  Reply

I guess I should have picked up on the fact that you had "credentials" but that the focus of the article was on your evolution. Even still, it doesn't make your writing better because you have degrees, any more than it makes my work worse because I have none. Apparently no special training is required to be an artist, why should we expect more from a critic? (Maybe it's because artists are divinely inspired and critics are just parasites? )

Thanks for the fleshing out though. I love to see the clockworks. For some, it may demystify the seemingly miraculous rotation of the hands but I always end up with an even greater appreciation for the works of humans.

Sam

Sam Spiczka

Posts: 1,671
From: Sartell, MN
Registered: Jul 20, 2001
Re: Feedback on Articles
Posted: Aug 8, 2003 1:56 PM
  Reply

> (Maybe it's because artists are divinely inspired
> d and critics are just parasites? )
>

Ordinarily, I would let this comment stand in all its glorious ignorance, but since I won't be here to defend myself, let me just add that this is what passes for humor to me.

Sam

Lauren DeSteno

Posts: 1,520
From: Minneapolis, MN
Registered: Oct 19, 2001
Re: Feedback on Articles
Posted: Aug 8, 2003 9:04 PM
  Reply

Hi all -

Thanks for the articles and threads here, Michael. I read the article a few days ago, but didn't have anything insightful to say, except to thank you.

Thank you, thank you. You've just shared a whole lot with those of us who don't regularly interface with critics.

lauren

Sam Spiczka

Posts: 1,671
From: Sartell, MN
Registered: Jul 20, 2001
Re: Feedback on Articles
Posted: Aug 10, 2003 4:16 PM
  Reply

Interface? Is that anything like "talk to?"

Sam

Lauren DeSteno

Posts: 1,520
From: Minneapolis, MN
Registered: Oct 19, 2001
Re: Feedback on Articles
Posted: Aug 17, 2003 11:23 AM
  Reply

;P

Ray Rolfe

Posts: 3,263
From: Northeast Minneapolis
Registered: Sep 5, 2001
Re: Feedback on Articles
Posted: Aug 20, 2003 4:57 PM
  Reply

I just read it!
http://mnartists.org/article.do?rid=24269

YES! Thats what i'm saying! Very good Andrew Knighton. I need new language to express how strongly I agree and constantly try to activate that whole concept.
And now i see that the current chatter elsewhere is informed by this article. Love it man.
It is great that you recognize the allready existing infostructure can be better utilized through a collectivization. And RIGHT NOW, IMMEDIATELY! And it requires almost no effort other then comprehension (info sleuthing), as you point out, it is the fundamental nature of art action/experience. I just love this paragraph;

"As Holland Cotter pointed out in the New York Times back in January, one possible way of dealing with these straitened times is by embracing the collectivization of artistic practice. Such a strategy not only diffuses economic imperatives among loosely affiliated producers, but furthermore promises to introduce new models of artistic community in the spirit of the counterculture projects of the ‘60s and ‘70s, which enjoyed a considerable degree of autonomy from institutions and the market. Today, thanks to the increased mobility of people and ideas through communication and transportation networks, these collectivizations can, for the first time in human history, be truly global, mobile, and immediate."

Yep! Thanks for informing me, us. I know I can serve as a catalyst towards quickening this realization by pointing people to your article and to the discussion "what do artists need" as it relates very practicably. Yes, I belive we are practicing the first conscious actions of collective creativity. http://mnartists.org/community/thread.jspa?forumID=13&threadID=765&tstart=0

Also, to cheerlead this section, I repost it here;

"the most important part of this strategy, especially in a culture like ours -- so steeped in myths about individuality, romantic genius, and self-interest -- is also the simplest: accepting that art is always fundamentally collective anyway. Art requires a network of producers, critics, institutions, and spectators to be what it is. It is only by amplifying these inherent collective strengths that we can do something more than muddle through the current economic squalls, and instead build a community that is stronger and more responsive to our desires."

Again, i exclaim, YES! It starts with asking someone what they desire with the impetus to help. I did this back in 1997 with the CDC (creative dreaming collective, not community development corporation). And Michael Fallon is doing that now with the "What do artists need" discussion. Back in the late 90's I was running around the city with surveys asking people, artists, kids in coffee shops, what are your dreams for your life? What is it you ultimately want for yourself and for the city? The idea was to gather enough information to know where our individual dreams overlap and have the potential to be strengthened and realized collectively. I mean, if we are all dreaming of doing the same thing, lets work together and do it! And more amazing things. Is this not true democracy? I would rather help realize the dreams of the people who live here, in OUR CITY, then to witness outside developers come in and milk tax payers just to increase their bottom line and make us look like the standard model. We are NOT the standard model. The parkways are a tribute to that. If any city council folks read this I really wish you all would stop making these big dept deals with out of state companys. It's time to let the people who live here and know it envision, develop, and direct, as we see our dreams evolve in it. And anyway, you have no choise! The arts community is getting stronger every day and you can't stop ideas and imagination put to practice by merely removing money. Listen to PEOPLE, not MONEY. So find the artists, the futurists, the visionaries, and ask them; What does Minneapolis/St.Paul want to show the world? How can we do it right and be that instant world wide catalyst?

Rambelin Ray Rolfe

Ann Klefstad

Posts: 48
From: Duluth
Registered: Feb 25, 2003
Re: Feedback on Articles
Posted: Sep 16, 2003 10:27 AM
  Reply

Hi Ray-- Great read of Andrew's article. Looking forward to the Sweet Dreams show at Soap Factory that you're involved in.

Is there interest here in reprising the topic of artist cooperatives / artist collectives that was a theme of the articles about a year ago? It does seem to be one of the few real bright spots in the artworld at the moment.

Another heads-up: Jakki Spicer just wrote a particularly sharp (I think) read of the Carmen Funebre performance--see it in the frontpage articles. Responses?

AK

Lauren DeSteno

Posts: 1,520
From: Minneapolis, MN
Registered: Oct 19, 2001
Re: Feedback on Articles
Posted: Sep 16, 2003 5:14 PM
  Reply

Hi, Ann! Nice to know you're still hanging around in the forums. It was a pleasure to finally meet you at the last trialogue!

lauren

Ray Rolfe

Posts: 3,263
From: Northeast Minneapolis
Registered: Sep 5, 2001
Re: Feedback on Articles
Posted: Sep 17, 2003 1:26 AM
  Reply

Thanks Ann. I hope there is interest here in reprising the topic of artist cooperatives / artist collectives. I'm interested.
I'll try to read the Jakki writing when I have time.....

Have you seen Sweet Dreams yet? Had any sweet dreams of your own lately?

RR

Ray Rolfe

Posts: 3,263
From: Northeast Minneapolis
Registered: Sep 5, 2001
Re: Feedback on Articles
Posted: Sep 18, 2003 12:43 AM
  Reply

I just read the Alison Gerber feature.
http://www.mnartists.org/article.do?rid=26182
GREAT! (Another fine work Andrew KNighton) If I had been more aware while it was all happening I would have known. I've had Alisons work in my wallet since Pretending to Pretend! (The soap contact cards)
Between her work and the Social Actors in Transformation stuff going on around here..... I feel like i'm being inisheated into some kinda artists CIA.
I can only hope I will one day meet Alison while shes wearing one of those "Hostell" badges! (or anyone else)
If you can't read the whole feature..... please just read the last 2 paragraphs.

Lauren DeSteno

Posts: 1,520
From: Minneapolis, MN
Registered: Oct 19, 2001
Re: Feedback on Articles
Posted: Sep 18, 2003 2:20 AM
  Reply

Thank you Andrew! That is one fine piece of arts writing. I am now completely fascinated with Alison Gerber's work.

BRAVO TO YOU BOTH!

lauren

Alison Gerber

Posts: 10
From: Minneapolis
Registered: Aug 17, 2001
Re: Feedback on Articles
Posted: Sep 18, 2003 6:58 PM
  Reply

Thanks, guys.

Ray, I'm glad you're still carrying around that card. I hope you used it.. and if not, most of that contact information is still valid, so give 'em a call.

take care
Alison

Ray Rolfe

Posts: 3,263
From: Northeast Minneapolis
Registered: Sep 5, 2001
Re: Feedback on Articles
Posted: Sep 18, 2003 9:58 PM
  Reply

Hehe, I work there now! Can you make a card for me too? Just kidding.
Hey, you do great work...... or rather, live a great life. I like what you say about art being representational of life before, but now art can be life. Thats how I live. Thank you for bringing profound meaning and setting the stage for something greater. I'm one of those public artists in transit you reference. Where might I find the hostell badge? Attached to a person or otherwise.
~Ray

Ann Klefstad

Posts: 48
From: Duluth
Registered: Feb 25, 2003
Re: Feedback on Articles
Posted: Sep 28, 2003 9:57 PM
  Reply

Hey, make sure to see the photoessay on Franconia--did everyone already know (I hope) that you click on images to make them big? I put in a note to that effect to make sure that people do expand these particular images. Well worth the download time.
AK

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