Getting Out Letter 7: Dear Big Lake,
Ruth Pszwaro, poet and Artistic Director of the Grand Marais Art Colony, asks Lake Superior what it has to say to touris >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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Writer and artist Mai'a Williams elucidates the persistence of white supremacy in the cultural landscape of a small >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Writer, public artist, and cultural organizer Shanai Matteson ponders the slow work of relationships, the language of so >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering >
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An impassioned poem by artist and activist Camille Gage, after her experience at the Women's March in Washington DC >
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After Symbols and on to Lawlessness
Critic and curator Nathan Young on the "catalytic flag-making" project, "Bleed&Burn," (ongoing n >
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A cohort of Twin Cities-based comic artists gathered this spring at the print shop Beyond Repair to illustrate a leaked >
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Numinous Anomalies: Somali Visual Art in Minnesota
An emphasis on connection—between Minnesota and Somalia, artist and community—is key for "Anomalous Expansion," >
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2016 Art-A-Whirl: A Cheat Sheet
Mn Artists editor Susannah Schouweiler introduces a new series of profiles of NEMAA artists and offers a handpicked sele >
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Curator Mary Coyne weighs in on disparities in the art world, between alternative and institutional art spaces, patrons, >
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Camille Erickson takes a birds-eye view on the recent Hand in Glove gathering, summing up the calls to action we might t >
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What is the Work of Art Worth?
Emily Gastineau makes a case for more capacious language around the value of artists' labor and contribution, langu >
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One Night in the Alleyway Institute
Rob Callahan reports back from Gamut Gallery's ephemeral, back alley art collaboration-cum-"carnival of urban >
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The Colonial Logic of the Independent Artist
Emily Gastineau recaps a conversation on "Place, Race, Geography and Power" at the recent Hand in Glove confer >
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Let's Spend Some Time Unpacking the Uncommon Field, Too
Camille Erickson reports back from Hand in Glove 2015, and wonders: Why not unpack the assumptions behind holding a &quo >
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A Walking Tour Through Paradise
Novelist Sarah Stonich teams up with artist Mickey Smith for a photo-essay on this year's iteration of "headla >
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Building a House for the Twilight of the Gods
There are weird buildings all around us. >
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Why Is It So Difficult to Talk Critically About Socially Engaged Art?
Definitions of terms for work loosely designated as "social practice" is contentious business. >
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Sheila Regan reports back from the recent Giant Steps conference in Minneapolis, on the winding paths and professional t >
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Go past the ping-pong table, past exits for the “Historic Staircase” and the oversized games, and at the very back of th >
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Juxtaposition Arts' innovative youth art and design lab is growing fast and getting national recognition for puttin >
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Ephemeral Pleasures: Investigating Micro-exhibitions
Duluth writer Hannah Dentinger goes straight to the source to get the skinny on the factors driving what appears to be a >
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A Note From the Outgoing mnartists.org Project Director
mnartists.org Project Director Kathleen Kvern offers a survey of where this democratic online arts project has been and >
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Segrelicious is a state of minds, an experiment in race and culture. >
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Jack Becker and The Many Lives of Forecast Public Artworks
Americans for the Arts has presented its Public Art Award to Public Art Review magazine for outstanding service to th >
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Radio mnartists: Monica Sheets
Producer Marya Morstad continues the Radio mnartists series of web and radio interviews with Minnesota artists. >
