Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. >
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Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
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A Braided History in a Time of Resistance
Arts writer Sheila Regan offers an embodied meditation on family, storytelling, and the strength and fragility of the bo >
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Suzanne Szucs on Rochester Art Center's "Minnesota Goes Pop" exhibition, which takes Andy Warhol's w >
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A Country Large Enough to Hold Both Melancholy and Evanescence
Writer Sheila Packa on the histories, large and small, beautiful and violent but always in flight, in Michelle Matthees& >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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For all its media-rich elements, there's an air of the ancient, an uncanny, old-as-time tension between dreaming an >
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Tim Nolan reviews Connie Wanek’s latest collection of poetry, "Rival Gardens: New and Selected Poems" from Uni >
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Terrible Beauty in a Flawed System
Amanda Curreri's provocative work across media sits at the intersection of contemporary art, activism, and history >
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Sheila Packa reviews the latest collection of prose poems from Julie Gard, "Home Studies," which turns on lov >
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Critic Mary Coyne looks into the unlikely juxtapositions, uncanny histories, and symbolic gestures of a new, collaborati >
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Christina Schmid looks into the quiet tension in the corners of Andrea Büttner's work, between humility and humilia >
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What Constitutes "American" Art?
Minnesota Museum of American Art invites five curators, from a diverse range of cultural backgrounds, to select work tha >
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A Vision of the Future as a Thing of the Past
Artist Andrea Carlson reviews Alison's Hiltner's latest sci-fi tinged photographs and sculptures, an exhibitio >
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Craig Olson reviews "superusted," the Soap Factory's fourth Midwest Biennial, curated this time by Cheryl >
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New work by Shana Kaplow and Rebecca Krinke explores the usually unremarked global, personal, political stories tangled >
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The elegant decay of both the setting and characters in Flannery O'Connor's novel, Wise Blood, provide an idea >
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With a foot squarely planted in the aesthetic traditions of minimalist art, Gregory Fitz uses humble materials to make s >
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Wunderkammer Redux (Or, An Unnatural History)
In the most elegant possible way, Kate Casanova's work across media sets out to make our habits of perceiving the b >
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Art historian Sheila Dickinson grapples with art, transformation and ethics-in-action, inside the studio and out, by way >
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Artist Aaron Marx offers a dispatch from the first in a series of juried exhibitions planned by Make It Move, a new Minn >
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The sheer scope and variety of George Morrison's body of work - intimate paintings and monumental sculptures, pen-a >
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Tim White takes stock of the art currently shaping the North country's cultural scene by way of the work on view in >
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Why is it that we can talk at length about the personal, psychological, formal and material qualities of art, smartly di >
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Kitsch is Dead, Long Live Kitsch
Nathan Young looks into two new bodies of work, by Mathew Zefeldt and Andy Messerschmidt, through the historical lens of >
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Lex Thompson on photography, the Hubble telescope and artists like Eric William Carroll, who are wrestling with the &quo >
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Walking in Dyani White Hawk's Moccasins
Iterated in a seemingly endless variety of colors and configurations, White Hawk’s “moccasin” paintings and prints offer >
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The New Wave of Artists Redefining 'Rural'
RACA draws attention to "rural art" going well beyond bufflehead portraits and gentle landscapes in a playful, >
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FRINGE SHORTS: "Two Dead Boys" by the Newton Theatre
phillip andrew bennett low was thrilled by this under-the-radar show, calling it "Hans Christian Andersen meets Itc >
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Marsha Trainer digs into Dana Weiser's exhibition, "Who Are You?!?" - provocative, appealing work that ad >
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Writer Alison Morse sets out to unpack Joe Smith's beguiling, mysterious objects to get a sense for the elusive art >
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Seeking Reconciliation through Art
Sheila Regan profiles the new Tarnish and Gold exhibition, "The Art of Conflict," an ambitious project showing >
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Travel writer Frank Bures, with a perceptive essay on Argentine artist Guillermo Kuitca's evocative, map-filled pai >
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Critic and curator Corinna Kirsch muses on Andrea Stanislav's new exhibition at the Burnet Gallery in Chambers Hote >
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Everything and Nothing, All at Once
Ruben Nusz weighs in the ongoing Rob Fischer exhibition, at Franklin Artworks through October 30, calling the artwork &q >
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Healing the Wounds of War: "Combat Paper Project"
Alison Morse looks into the "Combat Paper Project," at the MCBA Sept 21 - 28, with a profile of the artists wh >
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An engaging essay by Andy Sturdevant on the perennial lure of strange and beautiful objects, written in honor of mnartis >
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Matthew Everett chats up the Rockstar Storytellers, accomplished solo performers who come together once a month to rock >
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Seeing "Six McKnight Artists" at the Northern Clay Center
Mason Riddle calls this show of 2008 McKnight fellows' new work in ceramics "one of the most compelling of its >
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Camille LeFevre reflects on the airy, utopian constructions of architect Tomás Saraceno, a number of whose creations are >
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Improvisations on Some Very Big Themes
Ruben Nusz weighs in on two high-minded exhibitions currently on view, focusing on work by two philosophically inclined >
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Of Transgenic Petunias and Glow-in-the-Dark Bunnies
Camille LeFevre offers some historical context for the "Edunia" and breaks down the thorny issues raised by th >
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VISUAL ART: Birchbark Boxes, Bandolier Bags, and Modern Art
Ann Klefstad reflects on the new Nelson collection, a gift to the Tweed: artwork and craft by Native artists, from histo >
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VISUAL ART: Assessing the 2008 MCAD/Jerome Fellows Show
Critic and artist Ann Klefstad reflects on the fruits of this year's crop of Jerome Fellowships--she's decided >
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Critic Mason Riddle took in the second annual "Summer Invitational" group show at Thomas Barry Fine Arts (on v >
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