Independent curator and dance producer Michèle Steinwald shares a photo essay and retrospective on her lecture/discussio >
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Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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Getting Out Letter 7: Dear Big Lake,
Ruth Pszwaro, poet and Artistic Director of the Grand Marais Art Colony, asks Lake Superior what it has to say to touris >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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The Long Practice of Cumulative Attentiveness
Interdisciplinary artist Ian Hanesworth considers the shifts of attention that arose in the process of their print serie >
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Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
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Arriving In Between Homecomings and Liberation
Visual artist Tori Hong depicts the tension between process and profession, personal and public that weaves throughout t >
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does this mean i’m a real artist now?
Artist-educator heather c. >
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Are We Black Yet?: On Blackness as Art
Drummer, composer, writer and professor of African American literature and culture Davu Seru explores a body of ideas be >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Blackness and the Not-Yet-Finished
Mn Artists guest editor, poet and sound artist Chaun Webster, critically engages Douglas Kearney's conceptualizatio >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform. >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
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A Deep-Rooted Sweetness: Bobby Rogers' The Blacker the Berry
Artist and writer Amina Harper dives deep into the lush imagery of Bobby Rogers, weaving together the fraught history of >
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A Braided History in a Time of Resistance
Arts writer Sheila Regan offers an embodied meditation on family, storytelling, and the strength and fragility of the bo >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >
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Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >
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NEMAA Artist Series: The Romance of the West
The Old West lives on in Kate Hartfiel’s paintings: silhouettes of horses and ranch hands at work, caught in a moment’s >
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Suzanne Szucs on Rochester Art Center's "Minnesota Goes Pop" exhibition, which takes Andy Warhol's w >
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What's It Like to be a Young Black Artist in the Twin Cities?
Writer Lara Mimosa Montes sits down with emerging artists from MCAD's Black Artist Student Union, who presented the >
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Filmmaker and educator Kevin Obsatz on art experiments, the freedom in making "unmarketable" work, exercises i >
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Filmmaker Kevin Obsatz on the ritual and ethos of practice in game-play, games as media of communication, and some relat >
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Into the Groove: When Curators, Artists, and Critics Dance
Christina Schmid on the "dancing together naked in public" that artists and critics do, as seen through the le >
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Eva Rose Cohen's new strip reflects on artists giving gifts of their own creation. >
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NEMAA Artist Series: Pluralism in Motion
Painter Farida Hughes captures the temporary intimacies of people mingling and moving through space, by way of vivid, fl >
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Camille LeFevre reports back on the Guggenheim's retrospective exhibition of work by noted abstract painter Agnes M >
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Inside My Halloween Sketchbook
Comic artist and illustrator Eva Rose Cohen's "compendium of creepy inspiration." >
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A cohort of Twin Cities-based comic artists gathered this spring at the print shop Beyond Repair to illustrate a leaked >
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NEMAA Artist Series: Aesthetics of Thrift
Susannah Schouweiler profiles Richard Simonsen, whose paintings and assemblages of found wood and metal use the mediums >
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Amanda Hamilton's new series of small works grapple with the transcendence and despair of our present moment, with >
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NEMAA Artist Series: Animating the City
Susannah Schouweiler profiles John Akre, whose quirky stop-motion films and street-animation ventures give voice to the >
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Numinous Anomalies: Somali Visual Art in Minnesota
An emphasis on connection—between Minnesota and Somalia, artist and community—is key for "Anomalous Expansion," >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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NEMAA Artist Series: Art in the Making
A profile of painter Stephen Filla-Kim, whose work memorializes the everyday labor and routines of making art, the mark >
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Eva Rose Cohen's strip, on the lived experience of a young working artist, grapples with art and social justice, pe >
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Stephanie Fox profiles some of the Pagan artists collaborating to show the art and living practice of this increasingly >
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Black steers all varieties of brightness into the shade, darkening and deepening lighter hues. >
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Tim White surveys the variety of works and artists currently on view at the newly reopened Tweed Museum in Duluth, notin >
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