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Two stories by visual artist and photographer Pao Houa Her illuminate the transformative presence of plants within perso >
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Groundbreaking: The Calendar of Daily Fractures
Artist and photographer Jiamu Wu cracks open the deep observation of road surfaces that grew into the project Daily Frac >
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Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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Backyard Histories: Bethany Lacktorin and Nik Nerburn in Conversation
Artists Bethany Lacktorin and Nik Nerburn gathered in a Google Doc to discuss how their story-based work engages with th >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >
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Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >
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Filmmaker and educator Kevin Obsatz on art experiments, the freedom in making "unmarketable" work, exercises i >
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Into the Groove: When Curators, Artists, and Critics Dance
Christina Schmid on the "dancing together naked in public" that artists and critics do, as seen through the le >
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Let's Talk About the "Universal" (White, Male) Artist
In a sprawling essay meandering from Joseph Beuys and George Morrison to recent MFA thesis work by MCAD graduate Nick Ri >
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Sean Connaughty reflects on the tales left behind in our garbage, stories about human choice and ignorance that will be >
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The demographics and economic realities of rural America are shifting. >
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Erika Ritzel's series of photographs of objects in situ at estate sales are surprisingly poignant, heavy with emoti >
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When once-hidden details of Native heritage eventually come to light for later generations, people so assimilated they h >
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The Wisconsin Project looks into the myth and meaning of postcards (found, altered and invented) with questions about pl >
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Photographer Peter Happel Christian is as concerned with the material experience of his medium as he is its results: tha >
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Andy Sturdevant reflects on the peculiarly Minnesotan virtues of Chris Larson's work, marked both by "a plenit >
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Deborah Keenan: Prompts, Poems and Pictures
Both author and publisher simply call FROM TIGER TO PRAYER a writer's workbook, a volume small enough to fit in you >
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Minnesota's Third Biennial: The Art Stands Alone
Individual pieces may stand out, but the hands-off, artists-first approach of , , , ends up making the show largely >
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Using the lens of scientific scrutiny and the emotional possibilities of re-scaling everyday waste for public view, two >
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Corndogs and Trembling: This Sickness Unto Fair
Sean Smuda was the judge for the 2011 photography class of the State Fair's 100th annual Fine Arts exhibition. >
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The Secret Grace of Summer Camp for Socially Awkward Storytellers
Thanks to Alec Soth and the team of Little Brown Mushroom, a group of international artists and writers find themselves >
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Contemporary life blurs the boundaries between fact and fiction, reality and fantasy - we're accustomed, even numb >
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Warhol and the Art of Making Money
Inspired by 'Andy Warhol in Minneapolis,' with a medium at his side and a bunch of questions about art, fundin >
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Please Touch the Art (As Directed)
Usually the rules of going to a gallery are simple: Dont touch anything, dont even get particularly close. >
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Why is the College of Visual Arts Closing, and What Comes Next?
Camille LeFevre digs behind the official talking points, speaking to CVA's interim president, faculty and alumni ab >
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Why Is Cindy Sherman Making Faces?
Lightsey Darst says the Cindy Sherman show is one of the most important bodies of feminist art today, but not for any of >
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Nathaniel Smith tweaks the usual year-end list by assessing the state of the arts here in MN, beginning with the pros an >
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What Do You See When You Turn Out the Lights?
Poet, professor and art historian Stephen Tapscott gives a close reading of the bold new photographic work by Tucker Hol >
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Sheila Regan considers two shows: recent unauthorized performances of famous choreographers' dance solos and Broc B >
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Jay Orff looks at the mass-produced decorative art at Target, and in the process at the larger cultural and commercial a >
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Joel Hagen responds to a group exhibition at the U of M's Nash Gallery which explores the irresistible but impossib >
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Night Vision - A Northern Spark Diary
Lightsey Darst offers an on-the-ground dispatch from this year's Northern Spark festival -- vying projections, glow >
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What Surplus Should Taste Like
Writer Jay Orff wanders the aisles of Ax-Man Surplus, musing on aesthetic evolutions, beautiful ugliness, creative ironi >
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Sheila Regan assesses the Minneapolis Institute of Arts' multimedia exhibition, "The Sports Show," callin >
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THE FAMILY BUSINESS: Our conversation on being both an artist and a mother continues
The second of three installments in our debut "Family Business" column, in which a number of acclaimed artists >
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The Family Business: Artists on Work and Motherhood
The first of three installments in an exchange between acclaimed artists, all mothers with children of varying ages, tal >
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We recently screened !WOMEN ART REVOLUTION for a panel discussion on feminist art with local artists. >
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Of Pastries and Paintings: Phillips and Powderhorn Park, Minneapolis
Maggie Ryan Sandford continues her ongoing artists' guide to coffee house galleries in Minnesota with this tour of >
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Slouching Towards Pre-Occupied Wall St.
Or, "I Was a Governor's Island Art Fair Exhibitor" - mnartists.org's resident travel writer, Sean Sm >
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access+ENGAGE Issue 66.1: Common Goods
Features include a personal art history of the "meat dress," the Zine Apothecary, reviews of the McKnight Phot >
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mnartists.org and RAIN TAXI present: "The Zine Apothecary"
Writer and book artist Sarah Peters profiles Minneapolis artist Lacey Prpic Hedtke's unorthodox, wide-ranging libra >
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