Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Getting Out Letter 8: Greetings from the Future, sweet eric, or the Past, by Now.
Following their previous two letters detailing their departure from art making, Eric Avery returns with an announcement: >
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Getting Out Letter 6: Dear Moheb,
Interdisciplinary artist Charles Campbell delivers a rant to the guest editor himself in a series of abandoned formats, >
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Following the first letter that announced their hiatus from art making (published previously in this series), Eric Avery >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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Getting Out Letter 3: Dear darling Harper just now two years old,
Educator, arts administrator, and artist Molly Van Avery chronicles the fundamental shifts in her creative practice sinc >
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Getting Out Letter 2: Dear Cruel (art) World,
In November 2016, reparationist, cultural organizer, and curious queer creative Eric Avery sent a letter to their commun >
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As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
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An Exercise in Sensing Emotions Through Plants
Jess Hirsch, artist and founder of the Women's Woodshop, explores the power of plants to reveal our intentions and >
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Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
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Comedian and improviser Monika Hetzler recounts how comedy—while it is still often inaccessible—allowed her to shift her >
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How Comedy Unmasked My Inner Queen
Community organizer May Esperanza Losloso details the lead-up to her comedy debut, considering how everyday humor and a >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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The Ethics of Writing About Throwaway Women
Writer and performance artist May Lee-Yang speaks back to the critics — advocating for greater specificity in telling Hm >
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Even "The Smallest Cell Remembers": Notes on Research
Mn Artists guest editor Chaun Webster considers the precariousness of research, evidence and memory in black geographies >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform. >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering >
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Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
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This Thing This Home: Stevie Ada Klaark In Conversation with Tia-Simone Gardner
Stevie Ada Klaark talks with visual artist, educator, and Black feminist scholar Tia-Simone Gardner about her tiny home >
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A Braided History in a Time of Resistance
Arts writer Sheila Regan offers an embodied meditation on family, storytelling, and the strength and fragility of the bo >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >
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Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >
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Suzanne Szucs on Rochester Art Center's "Minnesota Goes Pop" exhibition, which takes Andy Warhol's w >
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What's It Like to be a Young Black Artist in the Twin Cities?
Writer Lara Mimosa Montes sits down with emerging artists from MCAD's Black Artist Student Union, who presented the >
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Camille LeFevre reviews the latest incarnation in Morgan Thorson's "Still Life" series, this time made fo >
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An Exquisite Preeminence of the Body
In the Walker's expansive exhibition, "Merce Cunningham: Common Time," artistic disciplines effortlessly >
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After Symbols and on to Lawlessness
Critic and curator Nathan Young on the "catalytic flag-making" project, "Bleed&Burn," (ongoing n >
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Into the Groove: When Curators, Artists, and Critics Dance
Christina Schmid on the "dancing together naked in public" that artists and critics do, as seen through the le >
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Rob Callahan talks with the cast of a Star Trek-themed holiday production of the "A Christmas Carol," delivere >
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NEMAA Artist Series: Aesthetics of Thrift
Susannah Schouweiler profiles Richard Simonsen, whose paintings and assemblages of found wood and metal use the mediums >
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Bluebeard Meets Ibsen in a Gilded Age Mansion
Camille LeFevre reviews Combustible Company's campy, absorbing production, "Bluebeard's Dollhouse," >
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Numinous Anomalies: Somali Visual Art in Minnesota
An emphasis on connection—between Minnesota and Somalia, artist and community—is key for "Anomalous Expansion," >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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NEMAA Artist Series: Worn on the Body
A profile of jewelry artist Sarah Chapman, whose mix of industrial and organic design elements lends itself to striking, >
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Stephanie Fox profiles some of the Pagan artists collaborating to show the art and living practice of this increasingly >
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