Independent curator and dance producer Michèle Steinwald shares a photo essay and retrospective on her lecture/discussio >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Numinous Anomalies: Somali Visual Art in Minnesota
An emphasis on connection—between Minnesota and Somalia, artist and community—is key for "Anomalous Expansion," >
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2016 Art-A-Whirl: A Cheat Sheet
Mn Artists editor Susannah Schouweiler introduces a new series of profiles of NEMAA artists and offers a handpicked sele >
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Nurturing Creativity in the Rapidly Shifting Mind
Courtney Gerber takes stock of work underway in Minnesota at the intersection of the arts and dementia care, and calls t >
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Why Is It So Difficult to Talk Critically About Socially Engaged Art?
Definitions of terms for work loosely designated as "social practice" is contentious business. >
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Bits and Pieces In a Semblance of a Whole, an essay by Jon Nelson
Festival of Appropriation co-curator Jon Nelson gives a behind-the-scenes glimpse into the assembly of this one-of-a-kin >
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Is the art world necessarily a dog eat dog place? Does reputation mean more than substance? >
