Getting Out Letter 7: Dear Big Lake,
Ruth Pszwaro, poet and Artistic Director of the Grand Marais Art Colony, asks Lake Superior what it has to say to touris >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestr >
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Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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The Long Practice of Cumulative Attentiveness
Interdisciplinary artist Ian Hanesworth considers the shifts of attention that arose in the process of their print serie >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform. >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering >
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Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
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2016 Art-A-Whirl: A Cheat Sheet
Mn Artists editor Susannah Schouweiler introduces a new series of profiles of NEMAA artists and offers a handpicked sele >
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Information & resources. >
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Answers to your common questions about how to use the new site. >
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