Getting Out Letter 8: Greetings from the Future, sweet eric, or the Past, by Now.
Following their previous two letters detailing their departure from art making, Eric Avery returns with an announcement: >
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As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
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An Exercise in Sensing Emotions Through Plants
Jess Hirsch, artist and founder of the Women's Woodshop, explores the power of plants to reveal our intentions and >
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Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestr >
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The Long Practice of Cumulative Attentiveness
Interdisciplinary artist Ian Hanesworth considers the shifts of attention that arose in the process of their print serie >
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Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
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Even "The Smallest Cell Remembers": Notes on Research
Mn Artists guest editor Chaun Webster considers the precariousness of research, evidence and memory in black geographies >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >
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Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >
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Filmmaker and educator Kevin Obsatz on art experiments, the freedom in making "unmarketable" work, exercises i >
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Critic and curator Johanna Burton on Alexa Horochowski's "Vortex Drawings," for which the artist uses win >
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Into the Groove: When Curators, Artists, and Critics Dance
Christina Schmid on the "dancing together naked in public" that artists and critics do, as seen through the le >
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Eva Rose Cohen's new strip reflects on artists giving gifts of their own creation. >
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Eva Rose Cohen's strip, on the lived experience of a young working artist, grapples with art and social justice, pe >
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Stephanie Fox profiles some of the Pagan artists collaborating to show the art and living practice of this increasingly >
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Let's Talk About the "Universal" (White, Male) Artist
In a sprawling essay meandering from Joseph Beuys and George Morrison to recent MFA thesis work by MCAD graduate Nick Ri >
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COMIC: Are You a Box or Filter Artist?
Eva Rose Cohen's new strip on the day-to-day work of art grapples with the question artists everywhere love to hate >
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Artist Alexa Horochowski's personal essay wanders through the bitter chill of midwinter, from experiments in the So >
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Camille LeFevre looks into "hypernatural" design, tech-meets-architecture-meets-sci fi innovation that embrace >
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The demographics and economic realities of rural America are shifting. >
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When once-hidden details of Native heritage eventually come to light for later generations, people so assimilated they h >
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An exchange between artists Sean Smuda and Nickelangelo (a.k.a. >
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A Club at the End of the World
Christina Schmid reviews Alexa Horochowski's melancholic new work, "Club Disminucion," which she calls a >
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The Creative City Challenge-winning installation, "Balancing Ground," in downtown Minneapolis takes its cues f >
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Lightsey Darst offers a diary from this year's Lowertown iteration of the night-long Twin Cities festival saying, & >
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The Wisconsin Project looks into the myth and meaning of postcards (found, altered and invented) with questions about pl >
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Photographer Peter Happel Christian is as concerned with the material experience of his medium as he is its results: tha >
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Andy Sturdevant reflects on the peculiarly Minnesotan virtues of Chris Larson's work, marked both by "a plenit >
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Minnesota's Third Biennial: The Art Stands Alone
Individual pieces may stand out, but the hands-off, artists-first approach of , , , ends up making the show largely >
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Remnants and Curiosities of the Natural World
Seven established artists explore intersections of the human and animal worlds, the technological and organic spheres, a >
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After a trip to Three Rivers Park District's newest addition, writer Stephanie Xenos is convinced that even inveter >
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Using the lens of scientific scrutiny and the emotional possibilities of re-scaling everyday waste for public view, two >
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Design critic and artist Glenn Gordon offers his eloquent, if ambivalent, reflections on everyday design and the masses >
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Miranda Trimmier asks, how can we repair the wearisome effects of endless novelty? >
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What's the Meaning of All This?
Considering the art of interpretation by way of three shows at Pete Driessen's TuckUnder space, where the art stand >
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This Art Show Dares You to Participate
If there are no labels on the wall, no readily available didactics, how does a viewer navigate oblique, conceptual art t >
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Digital Culture and Art(ists) on the Verge
Sheila Dickinson reviews the latest "Art(ists) on the Verge" exhibition at the Soap Factory, featuring five Mi >
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Contemporary life blurs the boundaries between fact and fiction, reality and fantasy - we're accustomed, even numb >
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Jay Orff asks, "Is food packaging art?" From Warhol's famous soup cans to the minimalist design of the bo >
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Nathaniel Smith explores the illusions and play on perspective in the two shows up in the MIA's MAEP Galleries thro >
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Warhol and the Art of Making Money
Inspired by 'Andy Warhol in Minneapolis,' with a medium at his side and a bunch of questions about art, fundin >
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Writer Sheila Regan reviews Nina Canell's exhibition, "Stray Warmings," at Midway Contemporary Art in Min >
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To Dream of a New Kind of Making
Cecilia Ramon and Carla Stetson set out to create a work together, collaborating on every detail from conception to inst >
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