Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. >
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Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
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A Country Large Enough to Hold Both Melancholy and Evanescence
Writer Sheila Packa on the histories, large and small, beautiful and violent but always in flight, in Michelle Matthees& >
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Bluebeard Meets Ibsen in a Gilded Age Mansion
Camille LeFevre reviews Combustible Company's campy, absorbing production, "Bluebeard's Dollhouse," >
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Tim Nolan reviews Connie Wanek’s latest collection of poetry, "Rival Gardens: New and Selected Poems" from Uni >
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Shawna Gilmore's Peaceable Kingdom
Looking to fairy tales, myths, and other beloved imaginary landscapes for inspiration, Shawna Gilmore's works offer >
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Sheila Packa reviews the latest collection of prose poems from Julie Gard, "Home Studies," which turns on lov >
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Craig Olson reviews "superusted," the Soap Factory's fourth Midwest Biennial, curated this time by Cheryl >
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The elegant decay of both the setting and characters in Flannery O'Connor's novel, Wise Blood, provide an idea >
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Wild Rice, Frybread and the Winding Road Home
Connie Wanek reviews Linda LaGarde Grover's evocative new novel, "The Road Back to Sweetgrass," which cen >
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Matt Konrad explores Lester B. >
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FRINGE SHORTS: "Two Dead Boys" by the Newton Theatre
phillip andrew bennett low was thrilled by this under-the-radar show, calling it "Hans Christian Andersen meets Itc >
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FRINGE SHORTS: "The Urban Hermit" by Rachel Nelson
phillip andrew bennett low muses on storytelling devices, busking, and the powers of empathy in this review of Rachel Ne >
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FRINGE SHORTS: "The Mysterious Disappearance of the Second Younger Sister" by RE/Dance
Camille LeFevre says RE/Dance's show generated more unresolved questions than answers: "Is it an allegory abo >
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FRINGE SHORTS: "Bodacious Beauties" by Eileen Rosensteel
Amber Davis was intrigued by Eileen Rosensteel's turn-of-the-20th century piece on sideshows and sizeism, and thoug >
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FRINGE SHORTS: "House of Usher" by Coin Purse Theatre Company
Reviewer phillip low was predisposed to like this show, but despite the "ballsiness" of the project, he found >
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Theater critic Christy DeSmith reviews Walking Shadow Theatre's unexpectedly timely production, "After the Qua >
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Cather's Prairie Classic, from Page to Stage
Britt Aamodt reviews "My Antonia," a new play by Allison Moore, directed by Illusion Theater's Michael Ro >
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Healing the Wounds of War: "Combat Paper Project"
Alison Morse looks into the "Combat Paper Project," at the MCBA Sept 21 - 28, with a profile of the artists wh >
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Actor and theater critic Jaime Kleiman profiles Aditi Kapil -- an Ivey Award-winning writer, actor, and director -- abou >
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Matthew Everett chats up the Rockstar Storytellers, accomplished solo performers who come together once a month to rock >
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Writer Maggie Sandford profiles Hardy Coleman, a well-received writer and playwright (with a new play in the Bedlam' >
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Taking "Beautiful Stories" from Page to Stage
Playwright Matthew Everett goes behind the scenes of a new co-production by Hardcover Theater and Workhouse Theatre--a s >
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THEATER: A Good Night of Sandbox Play
Playwright Matthew Everett took in the new Sandbox Theatre offering, loosely based on Edgar Allen Poe's "Masqu >
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THEATER: Shakespeare in the Parking Lot
Christy DeSmith attended the new all-female, circus-themed rendition of the bard's blood thirstiest tale, "Tit >
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Wise Fool: Inside Don Lee's New Farce "Wrack and Ruin"
Writer Shannon Gibney gets the story behind acclaimed author Don Lee's new novel "Wrack and Ruin," and sh >
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Landscapes of Loss and Transformation
Christina Schmid reflects on "The Presence of Loss" a new collaborative exhibition at Form + Content pairing v >
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Hannah Dentinger reviews Susan Deborah King's "One-Breasted Woman" published by Holy Cow Press ($15.95). >
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MUSIC: A Guide to Independent Music Media in Minnesota
Duluth writer and raconteur Paul Lundgren investigates the go-it-alone spunk that fuels MN's DIY music zine landsca >
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MUSIC: (Addendum) A Cheatsheet for Local DIY Music Media
From local zines to your computer screens (and a few things in between). >
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Book Review: Greed, Rage and Love Gone Wrong: Murder in Minnesota
Jean Sramek reviews "Greed, Rage and Love Gone Wrong: Murder in Minnesota" by Bruce Rubenstein, a hypnotizingl >
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Book Review: Greg Watson, "Things You Will Never See Again"
In the meditative season, mnartists is running extra book reviews. >
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Thinking Souls: Book Review: Incidents in the Life of a Slave Girl
Shannon Gibney writes on "Incidents in the Life of a Slave Girl," a classic slave narrative newly republished >
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Feast and Famine: The Rhubarb King
Erin Lynn Marsh reviews Sharon Chielarzs The Rhubarb King ($14.95), published by Loonfeather Press (Bemidji, Minnesot >
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Distant Engines: Threats and Joy
Connie Wanek reviews Ryan Vine's new book "Distant Engines." She finds his language "spare, evocativ >
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"How to Cheat" is a great show, says Jaime Kleiman. >
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Fringe Shorts: Sock Puppet Serenade
Kim Surkan was thoroughly entranced by "Sock Puppet Serenade" from Kurt Hunter Marionettes, at the Theater Gar >
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Fringe Shorts: The Unbearable Lightness of Being American
Kim Surkan appreciates the incisive wit of the Ministry of Cultural Warfare. >
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Vol 1, No 1: A Different Take on the Fringe
Jaime Kleiman writes on her bout of dramaturgy (and what's that anyway?) for the Fringe show Flee This Place," >
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Fringe Shorts: Monsters in America
Jaime Kleiman, theater critic (as well as dramaturg! >
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Essays in Search of a Reason to Live: Leaning Into the Wind
Ellen Sandbeck finds certain kinds of thoughts on the weather to be as tedious as conversations about the same subject. >
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Learning to Talk: "The Mother's Tongue"
Erin Lynn Marsh reviews Heid Erdrich's book "The Mother's Tongue," a collection of poems on the stag >
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A Little Prince, an Arabian Night, and an Italian Grandmother: Holiday Drama
Ann Klefstad and her eleven-year-old daughter Maja went to three plays in three days, seeing what the Cities have to of >
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"Bookish" at MCBA: Neither Fish Nor Fowl Nor Good Red Buckram
Alex Starace ventures into the world of book art and finds that it may be ill-suited for museum presentation. >
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