Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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An Exercise in Sensing Emotions Through Plants
Jess Hirsch, artist and founder of the Women's Woodshop, explores the power of plants to reveal our intentions and >
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Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestr >
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The Green Behind the Glass: Collecting and Protecting Plants from Around the World
Guest editor Regan Golden interviews Lisa Philander, the Director and Curator of the University of Minnesota College of >
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Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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Out of Place: Black Triage and its Afterlife
PhD candidate in geography and writer Aaron Mallory explores the space between injury and death to discuss the afterlife >
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Blackness and the Not-Yet-Finished
Mn Artists guest editor, poet and sound artist Chaun Webster, critically engages Douglas Kearney's conceptualizatio >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >
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Jay Orff visits Emily Johnson's sinew-and-earth installation, "Body," as re-envisioned for Brooklyn-based >
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Eva Rose Cohen's strip, on the lived experience of a young working artist, grapples with art and social justice, pe >
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Truly "Public" Art is Messy Business
Sheila Regan looks into the gaps inherent in public art—between concept and execution, neighborhood need and the possibi >
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How to Be an Art Star: A Primer in Lived Experience
A semi-regular comic strip from Eva Cohen on the professional and creative byways of a young working artist. >
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Camille LeFevre looks into "hypernatural" design, tech-meets-architecture-meets-sci fi innovation that embrace >
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The Creative City Challenge-winning installation, "Balancing Ground," in downtown Minneapolis takes its cues f >
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The Columnest Goes to New York
Everyone says that New York has never been more and less central: the capital of the world, agglomerating liquid power, >
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Surly Puts Architecture to Work Building Its Brand
Surly recently revealed design plans for its destination brewery, designed by HGA Architects, and quickly faced critical >
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Camille LeFevre reports back from Northrop's grand reopening, a gala affair complete with a fabulous performance of >
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A group of Midwestern artists gets snowed in Up North. >
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What's Design Got to Do with Environmental Solutions?
For the creative minds behind the University of Minnesota-based ENSIA magazine and website, everything. >
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Remnants and Curiosities of the Natural World
Seven established artists explore intersections of the human and animal worlds, the technological and organic spheres, a >
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After a trip to Three Rivers Park District's newest addition, writer Stephanie Xenos is convinced that even inveter >
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Design critic and artist Glenn Gordon offers his eloquent, if ambivalent, reflections on everyday design and the masses >
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Jay Orff asks, "Is food packaging art?" From Warhol's famous soup cans to the minimalist design of the bo >
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Writer Sheila Regan reviews Nina Canell's exhibition, "Stray Warmings," at Midway Contemporary Art in Min >
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Camille LeFevre reviews "Rural Design," architect Dewey Thorbeck's innovations in 'design thinking&# >
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Why is the College of Visual Arts Closing, and What Comes Next?
Camille LeFevre digs behind the official talking points, speaking to CVA's interim president, faculty and alumni ab >
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Queer Freedom: the week in dance
A dispatch from Jaime Carrera's Outlet performance series and Trajal Harrell & Co's "(M)imosa/Twenty >
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Why Is Cindy Sherman Making Faces?
Lightsey Darst says the Cindy Sherman show is one of the most important bodies of feminist art today, but not for any of >
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Rei Kawakubos costumes for Merce Cunninghams company created a best-case scenario: a classic in the annals of modern d >
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Nathaniel Smith tweaks the usual year-end list by assessing the state of the arts here in MN, beginning with the pros an >
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Becoming an Artist All Over Again
Ann Klefstad profiles Duluth-based artist Marian Lansky, a graphic designer who, after 22 years, becomes her own client >
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You Are Hear: When the Smoke Clears (July 2012)
In this month's episode, writer Jill Grunewald with a story about love and remodeling, and the occasionally serendi >
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Matt Konrad profiles rosenlof/lucas (ROLU, for short), an art and design studio who've become known for the "s >
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Kitchen Lab: Food as Catalyst of Community and Culture
Heavy Table editor and CHOW.com columnist James Norton digs in to the recent Kitchen Lab residency on the Walker's >
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Camille LeFevre wanders through the Walker's "Dance Works" exhibitions of Merce Cunningham's artist- >
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Jay Orff looks at the mass-produced decorative art at Target, and in the process at the larger cultural and commercial a >
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Writer Sarah Howard reports on how two new Twin Cities initiatives - the Starling Project and Artists in Storefronts - a >
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Writer and artist Jennifer Nevitt profiles David Lefkowitz, a prolific, award-winning artist who conjures whole worlds w >
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Writer Camille LeFevre offers a dispatch from her recent trip down South to Bentonville, Arkansas, reporting back on the >
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Alison Morse checks out a variety of coworking spaces in operation throughout the Twin Cities metro and beyond, reportin >
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Camille LeFevre reviews the Goldstein Museum's retrospective of master costume designer Jack Edwards's storied >
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Writer Jay Orff says his collection of incidental art - upcycled industrial castoffs, flattened machinery bits left on t >
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