Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
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Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestr >
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The Green Behind the Glass: Collecting and Protecting Plants from Around the World
Guest editor Regan Golden interviews Lisa Philander, the Director and Curator of the University of Minnesota College of >
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Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
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Here to Make NICE and Changes to the Asian American Canon
Writer, actor, and filmmaker Naomi Ko expands the conversation on representation in media, asking what it means to creat >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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To Come Back to Love: Reminders for Making Visible the Invisible
Filmmaker Xiaolu Wang shares a love letter to her collaborators, revealing the complex dynamics of friendship, family, a >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Writer and artist Mai'a Williams elucidates the persistence of white supremacy in the cultural landscape of a small >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform. >
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Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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This Thing This Home: Stevie Ada Klaark In Conversation with Tia-Simone Gardner
Stevie Ada Klaark talks with visual artist, educator, and Black feminist scholar Tia-Simone Gardner about her tiny home >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >
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Kevin Obsatz on his education as an artist, both as a student and teacher of filmmaking, and in his experiences outside >
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Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >
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Kevin Obsatz on his experiences as a PA working on a documentary about the 2004 campaign season and, specifically, the s >
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An Exquisite Preeminence of the Body
In the Walker's expansive exhibition, "Merce Cunningham: Common Time," artistic disciplines effortlessly >
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Filmmaker and educator Kevin Obsatz on art experiments, the freedom in making "unmarketable" work, exercises i >
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Critic and curator Johanna Burton on Alexa Horochowski's "Vortex Drawings," for which the artist uses win >
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Filmmaker Kevin Obsatz on the ritual and ethos of practice in game-play, games as media of communication, and some relat >
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Videographer and filmmaker Kevin Obsatz reflects on his experience documenting Karen Sherman's latest work, "S >
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Though all of Christopher Baker's latest installations rely on clever use of new technologies, there’s something ol >
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Waves Blown Back: The Golden Age of VHS
Filmmaker Kevin Obsatz ponders slow watching in a streaming age with an essay ranging through Marshall McLuhan, Kubrick, >
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Bluebeard Meets Ibsen in a Gilded Age Mansion
Camille LeFevre reviews Combustible Company's campy, absorbing production, "Bluebeard's Dollhouse," >
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NEMAA Artist Series: Animating the City
Susannah Schouweiler profiles John Akre, whose quirky stop-motion films and street-animation ventures give voice to the >
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Numinous Anomalies: Somali Visual Art in Minnesota
An emphasis on connection—between Minnesota and Somalia, artist and community—is key for "Anomalous Expansion," >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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Jay Orff visits Emily Johnson's sinew-and-earth installation, "Body," as re-envisioned for Brooklyn-based >
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NEMAA Artist Series: Art in the Making
A profile of painter Stephen Filla-Kim, whose work memorializes the everyday labor and routines of making art, the mark >
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Truly "Public" Art is Messy Business
Sheila Regan looks into the gaps inherent in public art—between concept and execution, neighborhood need and the possibi >
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The Mill City Museum's historic Ruin Courtyard makes a surprisingly fitting setting for this rendition of the gleef >
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NEMAA Artist Series: Reconciling a Hyphenated Identity
A profile of ceramic artist and sculptor Katayoun Amjadi, in a conversation ranging from take-out to geopolitical trade, >
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For all its media-rich elements, there's an air of the ancient, an uncanny, old-as-time tension between dreaming an >
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WATCH - The Pangaea Station: The Chimera of Arezzo
Our underground video series by Taylor Baldry makes a special return with more fun facts about art history brought to yo >
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Making It: Comic Book Artist Christopher Jones
Rob Callahan continues his conversations with artists about life after a big break (or two) with comic book artist and i >
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Steel & Air: A New Year's Motionpoem
As a gift to the city of Minneapolis for the New Year, the Twin Cities-based poetry film company commissioned Sparky Sto >
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Making It: Actor/Comic Greg Berman
Rob Callahan's new series for Mn Artists takes a long view on the lifelong hustle of a creative career, featuring i >
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