Getting Out Letter 7: Dear Big Lake,
Ruth Pszwaro, poet and Artistic Director of the Grand Marais Art Colony, asks Lake Superior what it has to say to touris >
SORT
SORT
Search Results (22)
article
article
Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
article
Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
article
Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
article
Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
article
What's It Like to be a Young Black Artist in the Twin Cities?
Writer Lara Mimosa Montes sits down with emerging artists from MCAD's Black Artist Student Union, who presented the >
article
Numinous Anomalies: Somali Visual Art in Minnesota
An emphasis on connection—between Minnesota and Somalia, artist and community—is key for "Anomalous Expansion," >
article
Tim White surveys the variety of works and artists currently on view at the newly reopened Tweed Museum in Duluth, notin >
article
The Art-A-Whirl Grieving Process
A new strip by Eva Rose Cohen on the artist's experience of participating in the annual, studio-opening festivities >
article
2016 Art-A-Whirl: A Cheat Sheet
Mn Artists editor Susannah Schouweiler introduces a new series of profiles of NEMAA artists and offers a handpicked sele >
article
Nurturing Creativity in the Rapidly Shifting Mind
Courtney Gerber takes stock of work underway in Minnesota at the intersection of the arts and dementia care, and calls t >
article
Curator Mary Coyne weighs in on disparities in the art world, between alternative and institutional art spaces, patrons, >
article
One Night in the Alleyway Institute
Rob Callahan reports back from Gamut Gallery's ephemeral, back alley art collaboration-cum-"carnival of urban >
article
10 Alt Comics Artists to Watch
Nate Patrin offers a cheatsheet on the genre-defying artists featured in this year's Autoptic festival of independe >
article
Space Exploration: Lindsay Smith
Artist and curator Cheryl Wilgren Clyne continues her intimate photo essay series on artists and their spaces, this time >
article
Building a House for the Twilight of the Gods
There are weird buildings all around us. >
article
Why Is It So Difficult to Talk Critically About Socially Engaged Art?
Definitions of terms for work loosely designated as "social practice" is contentious business. >
article
Go past the ping-pong table, past exits for the “Historic Staircase” and the oversized games, and at the very back of th >
article
Ephemeral Pleasures: Investigating Micro-exhibitions
Duluth writer Hannah Dentinger goes straight to the source to get the skinny on the factors driving what appears to be a >
article
Suzanne Szucs interviews painter Adu Gindy about her show and that of Joy Kops and Peter Weizenegger. >
article
Bits and Pieces In a Semblance of a Whole, an essay by Jon Nelson
Festival of Appropriation co-curator Jon Nelson gives a behind-the-scenes glimpse into the assembly of this one-of-a-kin >
article
Is the art world necessarily a dog eat dog place? Does reputation mean more than substance? >
