Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Getting Out Letter 7: Dear Big Lake,
Ruth Pszwaro, poet and Artistic Director of the Grand Marais Art Colony, asks Lake Superior what it has to say to touris >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestr >
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Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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The Long Practice of Cumulative Attentiveness
Interdisciplinary artist Ian Hanesworth considers the shifts of attention that arose in the process of their print serie >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform. >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering >
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Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
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This Thing This Home: Stevie Ada Klaark In Conversation with Tia-Simone Gardner
Stevie Ada Klaark talks with visual artist, educator, and Black feminist scholar Tia-Simone Gardner about her tiny home >
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After Symbols and on to Lawlessness
Critic and curator Nathan Young on the "catalytic flag-making" project, "Bleed&Burn," (ongoing n >
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Though all of Christopher Baker's latest installations rely on clever use of new technologies, there’s something ol >
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NEMAA Artist Series: Aesthetics of Thrift
Susannah Schouweiler profiles Richard Simonsen, whose paintings and assemblages of found wood and metal use the mediums >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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NEMAA Artist Series: Reconciling a Hyphenated Identity
A profile of ceramic artist and sculptor Katayoun Amjadi, in a conversation ranging from take-out to geopolitical trade, >
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2016 Art-A-Whirl: A Cheat Sheet
Mn Artists editor Susannah Schouweiler introduces a new series of profiles of NEMAA artists and offers a handpicked sele >
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A Perpetual Feedback Loop of Inspiration
Judy Onofrio's life's work defies easy categories, seamlessly blending art and craft, and the spheres of home, >
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Tim White takes stock of the art currently shaping the North country's cultural scene by way of the work on view in >
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Information & resources. >
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Answers to your common questions about how to use the new site. >
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The Creative City Challenge-winning installation, "Balancing Ground," in downtown Minneapolis takes its cues f >
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What Surplus Should Taste Like
Writer Jay Orff wanders the aisles of Ax-Man Surplus, musing on aesthetic evolutions, beautiful ugliness, creative ironi >
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access+ENGAGE Issue 56.1: Milestones
Features in this - the 100th issue of a+E! >
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An engaging essay by Andy Sturdevant on the perennial lure of strange and beautiful objects, written in honor of mnartis >
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VISUAL ART: Birchbark Boxes, Bandolier Bags, and Modern Art
Ann Klefstad reflects on the new Nelson collection, a gift to the Tweed: artwork and craft by Native artists, from histo >
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Segrelicious is a state of minds, an experiment in race and culture. >
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The Living Art of the Crow: Running Rabbit by Kevin Red Star
Dean Seal visits the Ancient Traders Gallery on Franklin, and finds a good show there. >
