Getting Out Letter 7: Dear Big Lake,
Ruth Pszwaro, poet and Artistic Director of the Grand Marais Art Colony, asks Lake Superior what it has to say to touris >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering >
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Wendy Red Star: Reservation Pop
One could be forgiven for making the visual connection between Andy Warhol’s candy-colored pop art and Wendy Red Star’s >
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What's It Like to be a Young Black Artist in the Twin Cities?
Writer Lara Mimosa Montes sits down with emerging artists from MCAD's Black Artist Student Union, who presented the >
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An impassioned poem by artist and activist Camille Gage, after her experience at the Women's March in Washington DC >
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After Symbols and on to Lawlessness
Critic and curator Nathan Young on the "catalytic flag-making" project, "Bleed&Burn," (ongoing n >
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Numinous Anomalies: Somali Visual Art in Minnesota
An emphasis on connection—between Minnesota and Somalia, artist and community—is key for "Anomalous Expansion," >
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Tim White surveys the variety of works and artists currently on view at the newly reopened Tweed Museum in Duluth, notin >
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The Art-A-Whirl Grieving Process
A new strip by Eva Rose Cohen on the artist's experience of participating in the annual, studio-opening festivities >
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2016 Art-A-Whirl: A Cheat Sheet
Mn Artists editor Susannah Schouweiler introduces a new series of profiles of NEMAA artists and offers a handpicked sele >
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Nurturing Creativity in the Rapidly Shifting Mind
Courtney Gerber takes stock of work underway in Minnesota at the intersection of the arts and dementia care, and calls t >
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Curator Mary Coyne weighs in on disparities in the art world, between alternative and institutional art spaces, patrons, >
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One Night in the Alleyway Institute
Rob Callahan reports back from Gamut Gallery's ephemeral, back alley art collaboration-cum-"carnival of urban >
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10 Alt Comics Artists to Watch
Nate Patrin offers a cheatsheet on the genre-defying artists featured in this year's Autoptic festival of independe >
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A Walking Tour Through Paradise
Novelist Sarah Stonich teams up with artist Mickey Smith for a photo-essay on this year's iteration of "headla >
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Space Exploration: Lindsay Smith
Artist and curator Cheryl Wilgren Clyne continues her intimate photo essay series on artists and their spaces, this time >
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Sean Smuda on Eric Frye's series for Midway Contemporary Art on "compositional epistemologies," an erudit >
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Why Is It So Difficult to Talk Critically About Socially Engaged Art?
Definitions of terms for work loosely designated as "social practice" is contentious business. >
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Juxtaposition Arts' innovative youth art and design lab is growing fast and getting national recognition for puttin >
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Confessions of a Craft Show Organizer
Are you an artisan or craftster ready to dip a toe into the craft show waters? >
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DESIGN: 11 Ways to Design a Freelance Lifestyle That Works for You
Freelance designer Karen Kopacz (proprietor of Design for the Arts and founder of "Mental Contagion") offers h >
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Ephemeral Pleasures: Investigating Micro-exhibitions
Duluth writer Hannah Dentinger goes straight to the source to get the skinny on the factors driving what appears to be a >
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Suzanne Szucs interviews painter Adu Gindy about her show and that of Joy Kops and Peter Weizenegger. >
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Bits and Pieces In a Semblance of a Whole, an essay by Jon Nelson
Festival of Appropriation co-curator Jon Nelson gives a behind-the-scenes glimpse into the assembly of this one-of-a-kin >
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Segrelicious is a state of minds, an experiment in race and culture. >
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Is the art world necessarily a dog eat dog place? Does reputation mean more than substance? >
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Radio mnartists : Open Eye Figure Theatre
Producer Marya Morstad continues the Radio mnartists series of podcasts and KFAI radio interviews with Minnesota artis >
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Producer Marya Morstad continues the Radio mnartists series of web and radio interviews with Minnesota artists. >
