Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. >
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Camille LeFevre reviews the latest incarnation in Morgan Thorson's "Still Life" series, this time made fo >
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An Exquisite Preeminence of the Body
In the Walker's expansive exhibition, "Merce Cunningham: Common Time," artistic disciplines effortlessly >
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Bluebeard Meets Ibsen in a Gilded Age Mansion
Camille LeFevre reviews Combustible Company's campy, absorbing production, "Bluebeard's Dollhouse," >
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The Mill City Museum's historic Ruin Courtyard makes a surprisingly fitting setting for this rendition of the gleef >
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Andrea Carlson delves into the layered storytelling and stagecraft of two installations recently on view at Philadelphia >
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Hmong-Lao/Lao-Hmong Friendship: It's Complicated
Playwrights May Lee-Yang and Saymoukda Duangphouxay Vongsay defy deeply entrenched inter-community divides and glib cult >
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Everything Was Beautiful and Nothing Hurt
Camille LeFevre on the ways ballet is going mainstream, from Starz network's new show, "Flesh and Bone," >
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Putting the Buzzwords of Engagement Into Motion
Emily Gastineau unpacks the ways BodyCartography Project is using real dance skills of sensing, paying attention, and ex >
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Susannah Schouweiler reports back from her discombobulating, one-on-one performance of "closer" by BodyCartogr >
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Sheila Dickinson reviews the latest by lesser mortals, "Art (Like It Matters)," at the Weisman Art Museum for >
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Curator and writer Mary Coyne reviews the new works featured in this year's Momentum showcase, by Luke Olson-Elm, H >
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Digging Up the Ghosts of Modern Dance
Emily Gastineau reviews "Appalachian Spring Break," the latest from choreographer Scott Heron, which revives ( >
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Camille LeFevre reviews Morgan Thorson's new "endurance-based dance work," happening in the Weisman Art M >
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The elegant decay of both the setting and characters in Flannery O'Connor's novel, Wise Blood, provide an idea >
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Camille LeFevre on the raw violence and emotional candor of Martha Graham's dance, on view in the repertory and new >
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Shá Cage's now nationally touring, one-woman show, "U/G/L/Y," fearlessly takes on the thorny issues of bo >
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Off-Leash Area's recent piece for their tiny garage stage, an homage to the life and art of Jean Michel Basquiat, i >
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"Beaverdance" Returns to Bedlam
The irreverent "Marxist Fur Trade Holiday Musical" has been revived with a new cast, sharp direction, a snappi >
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"Relics" is a play taking stock of the present day through the lens of a post-apocalyptic future, a natural hi >
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Camille LeFevre on the rattle, boom and melodious quiet of Ben Frost's fifth full-length release, A U R O R A, just >
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A new one-man show by Hiroshima-native Masanari Kawahara unpacks the relationship between Little Boy, the atom bomb drop >
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FRINGE SHORTS: "Labyrinth" by Vox Medusa
Reviewed: a stylized, often puzzling dance interpretation of the Ariadne/Minotaur myths directed by Kristen Freya of Vox >
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FRINGE SHORTS: "Fifth Planet" by Joking Apart Theater
In this show, directed by Jean Wolff, performers offer an effective iteration of playwright David Auburn's ("P >
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FRINGE SHORTS: "Kyle and Sean are Lovers"
Sean Neely specializes in Andy Kaufman-esque forays into audience discomfort. >
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FRINGE SHORTS: "#RelationshipStatus" by Someday, Wine Productions
Reviewed: A show featuring lightly comedic vignettes featuring Minnesota couples in the aftermath of the Marriage Equali >
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FRINGE SHORTS: "Captain Do-Good Saves the Future from Wal-mart"
Our reviewer says, despite the title, this isn't really hard-hitting satire. >
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FRINGE SHORTS: "Tough Love" by Cathy Wright
Our reviewers are on the scene at the 2014 Fringe Festival, covering a sampling of the shows on offer this year. >
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American Dance Festival: What's Love Got to Do With It?
Lightsey Darst continues her dispatches from the 2014 American Dance Festival in Durham, NC, this time on Ishmael Housto >
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Emily Johnson/Catalyst wrapped up her ambitious trilogy of dance works with "Shore," premiered recently Northr >
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Ragamala Dance's collaboration with saxophonist and composer Rudresh Mahanthappa is the company's most sensual >
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FRINGE SHORTS: Buckets and Tap Shows (excerpts from "DREAMS")
Buckets and Tap Shoes is a Fringe favorite for good reason. >
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FRINGE SHORTS: "Professor Hotrail and the Travelling Meth Lab" by MTBL
Brought to you by the same people who staged ROBOT LINCOLN at the 2011 Fringe, this show is tighter, more polished and f >
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FRINGE SHORTS: "Non Edwards' Bob Fosse Makeover"
There's nothing new here. >
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FRINGE SHORTS: "Sacajawea and the Average Joes" by T.F.L. Theatre Company
Our critic says, unlike the carefully crafted shock humor of Monty Python or SNL from which this sketch comedy work take >
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FRINGE SHORTS: "The Unknown Matters" by Broken Boot Theatre
Isn't the promise of space exploration exciting enough, and the implications of the existence of dark matter thrill >
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FRINGE SHORTS: "Analog" by Katharine Hawthorne
Hawthornes created an intriguing (and too long, by half) complex dance work that eschews 21st-century obsessionswith t >
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Whose Story Is This?: "Born in Iraq"
Kim Surkan reviews "Born in Iraq," by Earth Speak Theater (at the Mixed Blood Theater through July 15, shows a >
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'Here & After' and 'Slippery Fish': the week in local dance
Lightsey Darst saw Time Track Productions' recent "Here and After," with choreography by Paula Mann, medi >
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From Skin to Desire: the week in dance
Lightsey Darst offers dispatches from two shows, the seductive and provocative "Dim All the Lights" at the BLB >
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Lightsey Darst begins a new column on dance for us this week with a lovely piece on seeing Ananya Dance Theatre's r >
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FRINGE SHORTS: "The Gay Banditos" by The Mechanical Division
Amber Davis says "The Gay Banditos" is pretty funny, but even the show's kick-ass ensemble of talented ac >
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