

Dance | Analog/digital | Real-time-ness
Getting Out Letter 9: To my forever work wife [you know who you are],
Getting Out Letter 8: Greetings from the Future, sweet eric, or the Past, by Now.
Getting Out Letter 7: Dear Big Lake,
Getting Out Letter 6: Dear Moheb,
Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Getting Out Letter 3: Dear darling Harper just now two years old,
Getting Out Letter 2: Dear Cruel (art) World,
Getting Out Letter 1: Gurumaan, hello
Sight, Site and Motherhood: Missing Mosses, Pulsing Trees and Blinding Flowers
Groundbreaking: The Calendar of Daily Fractures
The Long Practice of Cumulative Attentiveness
Seeing Plants: Vision and Botany in Contemporary Art
How Comedy Unmasked My Inner Queen
Arriving In Between Homecomings and Liberation
“Selfie” and “Complicated”: Two Poems
Here to Make NICE and Changes to the Asian American Canon
does this mean i’m a real artist now?
To Come Back to Love: Reminders for Making Visible the Invisible
The Ethics of Writing About Throwaway Women
Even "The Smallest Cell Remembers": Notes on Research
My Blackness. (Still) Unfinished.
Are We Black Yet?: On Blackness as Art
Black Convivial: On Blackmospheres and Sci-fi Social Work
Out of Place: Black Triage and its Afterlife
A case for this: the (new Black) here and now
Blackness and the Not-Yet-Finished
Backyard Histories: Bethany Lacktorin and Nik Nerburn in Conversation
We Are All We Have: The Practice of Neighboring