Getting Out Letter 7: Dear Big Lake,
Ruth Pszwaro, poet and Artistic Director of the Grand Marais Art Colony, asks Lake Superior what it has to say to touris >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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Writer and artist Mai'a Williams elucidates the persistence of white supremacy in the cultural landscape of a small >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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What's It Like to be a Young Black Artist in the Twin Cities?
Writer Lara Mimosa Montes sits down with emerging artists from MCAD's Black Artist Student Union, who presented the >
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Videographer and filmmaker Kevin Obsatz reflects on his experience documenting Karen Sherman's latest work, "S >
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Waves Blown Back: The Golden Age of VHS
Filmmaker Kevin Obsatz ponders slow watching in a streaming age with an essay ranging through Marshall McLuhan, Kubrick, >
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Numinous Anomalies: Somali Visual Art in Minnesota
An emphasis on connection—between Minnesota and Somalia, artist and community—is key for "Anomalous Expansion," >
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Tim White surveys the variety of works and artists currently on view at the newly reopened Tweed Museum in Duluth, notin >
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The Art-A-Whirl Grieving Process
A new strip by Eva Rose Cohen on the artist's experience of participating in the annual, studio-opening festivities >
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2016 Art-A-Whirl: A Cheat Sheet
Mn Artists editor Susannah Schouweiler introduces a new series of profiles of NEMAA artists and offers a handpicked sele >
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Nurturing Creativity in the Rapidly Shifting Mind
Courtney Gerber takes stock of work underway in Minnesota at the intersection of the arts and dementia care, and calls t >
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Curator Mary Coyne weighs in on disparities in the art world, between alternative and institutional art spaces, patrons, >
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One Night in the Alleyway Institute
Rob Callahan reports back from Gamut Gallery's ephemeral, back alley art collaboration-cum-"carnival of urban >
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Trash Films and the People Who Love Them
"Trash film" screenings have moved from midnight movie showings to art house cinemas and megamall multiplexes, >
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10 Alt Comics Artists to Watch
Nate Patrin offers a cheatsheet on the genre-defying artists featured in this year's Autoptic festival of independe >
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Space Exploration: Lindsay Smith
Artist and curator Cheryl Wilgren Clyne continues her intimate photo essay series on artists and their spaces, this time >
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Sean Smuda on Eric Frye's series for Midway Contemporary Art on "compositional epistemologies," an erudit >
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Ephemeral Pleasures: Investigating Micro-exhibitions
Duluth writer Hannah Dentinger goes straight to the source to get the skinny on the factors driving what appears to be a >
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Suzanne Szucs interviews painter Adu Gindy about her show and that of Joy Kops and Peter Weizenegger. >
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Bits and Pieces In a Semblance of a Whole, an essay by Jon Nelson
Festival of Appropriation co-curator Jon Nelson gives a behind-the-scenes glimpse into the assembly of this one-of-a-kin >
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Is the art world necessarily a dog eat dog place? Does reputation mean more than substance? >
