Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Getting Out Letter 6: Dear Moheb,
Interdisciplinary artist Charles Campbell delivers a rant to the guest editor himself in a series of abandoned formats, >
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Following the first letter that announced their hiatus from art making (published previously in this series), Eric Avery >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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Getting Out Letter 3: Dear darling Harper just now two years old,
Educator, arts administrator, and artist Molly Van Avery chronicles the fundamental shifts in her creative practice sinc >
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Getting Out Letter 2: Dear Cruel (art) World,
In November 2016, reparationist, cultural organizer, and curious queer creative Eric Avery sent a letter to their commun >
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As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
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Getting Out Letter 1: Gurumaan, hello
Incoming guest editor Moheb Soliman introduces the series Getting Out: a series of letters sampling varied perspectives >
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An Exercise in Sensing Emotions Through Plants
Jess Hirsch, artist and founder of the Women's Woodshop, explores the power of plants to reveal our intentions and >
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Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestr >
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The Green Behind the Glass: Collecting and Protecting Plants from Around the World
Guest editor Regan Golden interviews Lisa Philander, the Director and Curator of the University of Minnesota College of >
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Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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Even "The Smallest Cell Remembers": Notes on Research
Mn Artists guest editor Chaun Webster considers the precariousness of research, evidence and memory in black geographies >
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Black Convivial: On Blackmospheres and Sci-fi Social Work
Poet and educator Keno Evol explores Sci-fi Social Work, black sociality, and where “wreckage meets possibility.” >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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A case for this: the (new Black) here and now
Writer and cultural strategist Lisa Marie Brimmer sketches an invitation to black post-blackness, a spiral encompassing >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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Writer and artist Mai'a Williams elucidates the persistence of white supremacy in the cultural landscape of a small >
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Backyard Histories: Bethany Lacktorin and Nik Nerburn in Conversation
Artists Bethany Lacktorin and Nik Nerburn gathered in a Google Doc to discuss how their story-based work engages with th >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Writer, public artist, and cultural organizer Shanai Matteson ponders the slow work of relationships, the language of so >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Senah Yeboah-Sampong delivers a fresh reading of Mary Shelley's Frankenstein through a contemporary Afrofuturist le >
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Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform. >
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Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering >
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This Thing This Home: Stevie Ada Klaark In Conversation with Tia-Simone Gardner
Stevie Ada Klaark talks with visual artist, educator, and Black feminist scholar Tia-Simone Gardner about her tiny home >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >
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Camille LeFevre reviews the latest incarnation in Morgan Thorson's "Still Life" series, this time made fo >
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An Exquisite Preeminence of the Body
In the Walker's expansive exhibition, "Merce Cunningham: Common Time," artistic disciplines effortlessly >
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An impassioned poem by artist and activist Camille Gage, after her experience at the Women's March in Washington DC >
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Music writer Youa Vang chats with two of the composers whose works will be featured in this week's "Cedar Comm >
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After Symbols and on to Lawlessness
Critic and curator Nathan Young on the "catalytic flag-making" project, "Bleed&Burn," (ongoing n >
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Videographer and filmmaker Kevin Obsatz reflects on his experience documenting Karen Sherman's latest work, "S >
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Though all of Christopher Baker's latest installations rely on clever use of new technologies, there’s something ol >
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Looking for Workers with "Soft Skills"? Hire Dancers
Many university degrees prepare young people for technical tasks but overlook some of the important interpersonal skills >
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A cohort of Twin Cities-based comic artists gathered this spring at the print shop Beyond Repair to illustrate a leaked >
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Bluebeard Meets Ibsen in a Gilded Age Mansion
Camille LeFevre reviews Combustible Company's campy, absorbing production, "Bluebeard's Dollhouse," >
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