Camille LeFevre reviews Morgan Thorson's new "endurance-based dance work," happening in the Weisman Art M >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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Can Art Be a Weapon Against War?: Guerilla Art
Mark Wojahn found "Guerilla Art" to be authentic but spotty, but worth seeing, all in all. >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Healing the Wounds of War: "Combat Paper Project"
Alison Morse looks into the "Combat Paper Project," at the MCBA Sept 21 - 28, with a profile of the artists wh >
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Though all of Christopher Baker's latest installations rely on clever use of new technologies, there’s something ol >
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Sheila Dickinson reviews the latest by lesser mortals, "Art (Like It Matters)," at the Weisman Art Museum for >
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Susannah Schouweiler reports back from her discombobulating, one-on-one performance of "closer" by BodyCartogr >
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The Free Republic of Duluth: At Last, Real Candidates
When mnartists.org asked writers to look for artist-led initiatives to make the world a better place, Jean Sramek found >
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The Good, the Great, the Papier Mache Heads: The DAI Annual Membership Exhibition
Julia Durst recently took in the varied work at the much beloved, democratically presented annual DAI membership show he >
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Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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VISUAL ART: Assessing the 2008 MCAD/Jerome Fellows Show
Critic and artist Ann Klefstad reflects on the fruits of this year's crop of Jerome Fellowships--she's decided >
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Critic Julie Caniglia weighs in on Rosalux Gallery's annual group show, "Open Door," which highlights wor >
