Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
SORT
SORT
Search Results (90)
article
article
Getting Out Letter 6: Dear Moheb,
Interdisciplinary artist Charles Campbell delivers a rant to the guest editor himself in a series of abandoned formats, >
article
Getting Out Letter 3: Dear darling Harper just now two years old,
Educator, arts administrator, and artist Molly Van Avery chronicles the fundamental shifts in her creative practice sinc >
article
As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
article
Getting Out Letter 1: Gurumaan, hello
Incoming guest editor Moheb Soliman introduces the series Getting Out: a series of letters sampling varied perspectives >
article
An Exercise in Sensing Emotions Through Plants
Jess Hirsch, artist and founder of the Women's Woodshop, explores the power of plants to reveal our intentions and >
article
Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestr >
article
The Green Behind the Glass: Collecting and Protecting Plants from Around the World
Guest editor Regan Golden interviews Lisa Philander, the Director and Curator of the University of Minnesota College of >
article
Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
article
Even "The Smallest Cell Remembers": Notes on Research
Mn Artists guest editor Chaun Webster considers the precariousness of research, evidence and memory in black geographies >
article
Black Convivial: On Blackmospheres and Sci-fi Social Work
Poet and educator Keno Evol explores Sci-fi Social Work, black sociality, and where “wreckage meets possibility.” >
article
A case for this: the (new Black) here and now
Writer and cultural strategist Lisa Marie Brimmer sketches an invitation to black post-blackness, a spiral encompassing >
article
Backyard Histories: Bethany Lacktorin and Nik Nerburn in Conversation
Artists Bethany Lacktorin and Nik Nerburn gathered in a Google Doc to discuss how their story-based work engages with th >
article
We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
article
Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
article
What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
article
Senah Yeboah-Sampong delivers a fresh reading of Mary Shelley's Frankenstein through a contemporary Afrofuturist le >
article
Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
article
A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
article
Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >
article
This Prairie Has Always Been Her Ocean
Ben Weaver reports back from "My Ocean," a site-specific sound and performance installation at the Ordway Prai >
article
Truly "Public" Art is Messy Business
Sheila Regan looks into the gaps inherent in public art—between concept and execution, neighborhood need and the possibi >
article
Let's Talk About the "Universal" (White, Male) Artist
In a sprawling essay meandering from Joseph Beuys and George Morrison to recent MFA thesis work by MCAD graduate Nick Ri >
article
Sean Connaughty reflects on the tales left behind in our garbage, stories about human choice and ignorance that will be >
article
Ramble Ramble: Art Shanty Projects
Musician, biking advocate, and rambling art critic Ben Weaver winds his way through the cities' late-winter slush t >
article
Steel & Air: A New Year's Motionpoem
As a gift to the city of Minneapolis for the New Year, the Twin Cities-based poetry film company commissioned Sparky Sto >
article
Camille LeFevre looks into "hypernatural" design, tech-meets-architecture-meets-sci fi innovation that embrace >
article
Can We Envision Communities Beyond Place, Beyond Ownership?
Concentrated pockets of power functioning multilaterally and multinationally are required to uphold the dizzying capital >
article
The demographics and economic realities of rural America are shifting. >
article
Imagine, Mr. Speaker, a World Without Balloons (Part 1)
Americans have always seen civic life as happening on a stage, each citizen performing democracy. >
article
Sam Gould makes the case for a rangier sort of socially-engaged art, one that forgoes easy, artworld-friendly categories >
article
When once-hidden details of Native heritage eventually come to light for later generations, people so assimilated they h >
article
The Creative City Challenge-winning installation, "Balancing Ground," in downtown Minneapolis takes its cues f >
article
What are the Real-World Impacts of Creative Placemaking?
NEA, ArtPlace and others have poured millions of dollars toward creative placemaking projects in the Twin Cities in rece >
article
Paying it Forward in Pittsburgh
Minneapolis-based artist and curator Sandra Teitge reports back from Pittsburgh, PA, on the Transformazium and Conflict >
article
Like an outdoor wedding bad weather has forced into a church basement, the 2014 Northern Spark fulfilled its purpose, bu >
article
Art at the Edges of Everything
Minneapolis-based artist and curator Sandra Teitge reports back from Marfa, Texas, in the first of an occasional series >
article
What's the Meaning of All This?
Considering the art of interpretation by way of three shows at Pete Driessen's TuckUnder space, where the art stand >
article
New York mag's art critic Jerry Saltz describes what artists and critics do as "dancing naked in public," >
article
Jay Orff asks, "Is food packaging art?" From Warhol's famous soup cans to the minimalist design of the bo >
article
Why is the College of Visual Arts Closing, and What Comes Next?
Camille LeFevre digs behind the official talking points, speaking to CVA's interim president, faculty and alumni ab >
article
Nathaniel Smith tweaks the usual year-end list by assessing the state of the arts here in MN, beginning with the pros an >
article
Kitchen Lab: Food as Catalyst of Community and Culture
Heavy Table editor and CHOW.com columnist James Norton digs in to the recent Kitchen Lab residency on the Walker's >
article
Night Vision - A Northern Spark Diary
Lightsey Darst offers an on-the-ground dispatch from this year's Northern Spark festival -- vying projections, glow >
article
Writer Sarah Howard reports on how two new Twin Cities initiatives - the Starling Project and Artists in Storefronts - a >
article
What Surplus Should Taste Like
Writer Jay Orff wanders the aisles of Ax-Man Surplus, musing on aesthetic evolutions, beautiful ugliness, creative ironi >
article
THE FAMILY BUSINESS: Our conversation on being both an artist and a mother continues
The second of three installments in our debut "Family Business" column, in which a number of acclaimed artists >
article
The Family Business: Artists on Work and Motherhood
The first of three installments in an exchange between acclaimed artists, all mothers with children of varying ages, tal >
- 1 of 2
- ››
