Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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Getting Out Letter 8: Greetings from the Future, sweet eric, or the Past, by Now.
Following their previous two letters detailing their departure from art making, Eric Avery returns with an announcement: >
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Getting Out Letter 6: Dear Moheb,
Interdisciplinary artist Charles Campbell delivers a rant to the guest editor himself in a series of abandoned formats, >
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Getting Out Letter 3: Dear darling Harper just now two years old,
Educator, arts administrator, and artist Molly Van Avery chronicles the fundamental shifts in her creative practice sinc >
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As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
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Getting Out Letter 1: Gurumaan, hello
Incoming guest editor Moheb Soliman introduces the series Getting Out: a series of letters sampling varied perspectives >
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An Exercise in Sensing Emotions Through Plants
Jess Hirsch, artist and founder of the Women's Woodshop, explores the power of plants to reveal our intentions and >
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Comedian and improviser Monika Hetzler recounts how comedy—while it is still often inaccessible—allowed her to shift her >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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The Ethics of Writing About Throwaway Women
Writer and performance artist May Lee-Yang speaks back to the critics — advocating for greater specificity in telling Hm >
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Even "The Smallest Cell Remembers": Notes on Research
Mn Artists guest editor Chaun Webster considers the precariousness of research, evidence and memory in black geographies >
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Are We Black Yet?: On Blackness as Art
Drummer, composer, writer and professor of African American literature and culture Davu Seru explores a body of ideas be >
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Black Convivial: On Blackmospheres and Sci-fi Social Work
Poet and educator Keno Evol explores Sci-fi Social Work, black sociality, and where “wreckage meets possibility.” >
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Out of Place: Black Triage and its Afterlife
PhD candidate in geography and writer Aaron Mallory explores the space between injury and death to discuss the afterlife >
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A case for this: the (new Black) here and now
Writer and cultural strategist Lisa Marie Brimmer sketches an invitation to black post-blackness, a spiral encompassing >
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Blackness and the Not-Yet-Finished
Mn Artists guest editor, poet and sound artist Chaun Webster, critically engages Douglas Kearney's conceptualizatio >
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Backyard Histories: Bethany Lacktorin and Nik Nerburn in Conversation
Artists Bethany Lacktorin and Nik Nerburn gathered in a Google Doc to discuss how their story-based work engages with th >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Maya Beck charts a lineage of black trailblazers, from John Coltrane to Kid Cudi to her own father, examining the partic >
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Senah Yeboah-Sampong delivers a fresh reading of Mary Shelley's Frankenstein through a contemporary Afrofuturist le >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Kevin Obsatz on his education as an artist, both as a student and teacher of filmmaking, and in his experiences outside >
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Fresh from a winter biking trip through the North country, musician Ben Weaver returns to the political and cultural fra >
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Filmmaker and educator Kevin Obsatz on art experiments, the freedom in making "unmarketable" work, exercises i >
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Ben Weaver on the trouble with lionizing artists' struggles, with a call for boldness in the face of want, solidari >
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Jay Orff visits Emily Johnson's sinew-and-earth installation, "Body," as re-envisioned for Brooklyn-based >
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This Prairie Has Always Been Her Ocean
Ben Weaver reports back from "My Ocean," a site-specific sound and performance installation at the Ordway Prai >
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Stephanie Fox profiles some of the Pagan artists collaborating to show the art and living practice of this increasingly >
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Let's Talk About the "Universal" (White, Male) Artist
In a sprawling essay meandering from Joseph Beuys and George Morrison to recent MFA thesis work by MCAD graduate Nick Ri >
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Linda Shapiro looks into "Radical Recess," the new dance component of Hennepin Theatre Trust's ambitious >
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A candid case study on the thorny issues that arise in curating around culturally and emotionally loaded subject matter: >
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Can We Envision Communities Beyond Place, Beyond Ownership?
Concentrated pockets of power functioning multilaterally and multinationally are required to uphold the dizzying capital >
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Musician, poet, and bike advocate Ben Weaver reflects on the stories we tell ourselves and others about what it is we do >
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Emily Gastineau ponders the evolving currencies of attention in the arts, what it means to produce something for another >
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Revolver invites Fringe Festival artists to turn the tables and review the audiences. >
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phillip andrew bennett low has been neck-deep in the Fringe Festival for more than a decade—making and performing in sho >
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Anna Marie Shogren unpacks the ideal of “evening-length” dance, the quirks of audience attention and institutional prest >
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Diversity, Equity, and Engagement in the Arts: A Case Study in Change
Intermedia Arts has spent the last year aiming to turn talking points about diversity and community engagement into acti >
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The Digital World Has Made Performers of Us All
The best writing online does more than put beautifully turned phrases on a screen — it performs ideas in digital space. >
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Speculations on Digital Arts Media's Future(s)
We asked journalists, artists, and critics — from Washington Post and ArtSlant to MinnesotaPlaylist.com, Culturebot, Art >
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Lauren DeLand looks back at the Culture Wars of the 1990s and, specifically, the facts and apocrypha surrounding a 1994 >
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Imagine, Mr. Speaker, a World Without Balloons (Part 1)
Americans have always seen civic life as happening on a stage, each citizen performing democracy. >
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A Dance is More Than Intellectual Property
You can (under very specific circumstances) copyright a dance - but is that the best way to protect an artist's &qu >
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Sam Gould makes the case for a rangier sort of socially-engaged art, one that forgoes easy, artworld-friendly categories >
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