Independent curator and dance producer Michèle Steinwald shares a photo essay and retrospective on her lecture/discussio >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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How Comedy Unmasked My Inner Queen
Community organizer May Esperanza Losloso details the lead-up to her comedy debut, considering how everyday humor and a >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Writer, public artist, and cultural organizer Shanai Matteson ponders the slow work of relationships, the language of so >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering >
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What's It Like to be a Young Black Artist in the Twin Cities?
Writer Lara Mimosa Montes sits down with emerging artists from MCAD's Black Artist Student Union, who presented the >
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Music writer Youa Vang chats with two of the composers whose works will be featured in this week's "Cedar Comm >
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After Symbols and on to Lawlessness
Critic and curator Nathan Young on the "catalytic flag-making" project, "Bleed&Burn," (ongoing n >
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Videographer and filmmaker Kevin Obsatz reflects on his experience documenting Karen Sherman's latest work, "S >
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Numinous Anomalies: Somali Visual Art in Minnesota
An emphasis on connection—between Minnesota and Somalia, artist and community—is key for "Anomalous Expansion," >
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Davu Seru on the state of the Twin Cities jazz scene—on its competing mythospheres and various hustles, its labor given >
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Misogyny: Hip-Hop's Problem Child
Rob Callahan talks with three women in the local hip-hop scene — Desdamona, Royalty, and JaysoCreative — in the second o >
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Tim White surveys the variety of works and artists currently on view at the newly reopened Tweed Museum in Duluth, notin >
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Conversations on Misogyny and the Music Scene, Pt. 1
Musician Kat Fox speaks up about battling dudebrah culture in the music scene in the first of two candid conversations w >
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2016 Art-A-Whirl: A Cheat Sheet
Mn Artists editor Susannah Schouweiler introduces a new series of profiles of NEMAA artists and offers a handpicked sele >
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Ramble Ramble: Shall We Cross, Beer and Water
Ben Weaver reflects on the last of "30 Days of Biking," and on the tangled questions of water, beer, and the h >
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Remembrance of Things Past, Revived for the Present
27 years after its premiere, now that AIDS has receded in our cultural consciousness, gay marriage is legal, transgender >
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Dispatch: New York City's Winter Dance Festivals, Pt. 2
Emily Gastineau offers a second dispatch from the scene of the dance showcases surrounding the Association of Performing >
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Dispatch: New York City's Winter Dance Festivals
Emily Gastineau reports back from the proliferation of dance showcases surrounding the Association of Performing Arts Pr >
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Nurturing Creativity in the Rapidly Shifting Mind
Courtney Gerber takes stock of work underway in Minnesota at the intersection of the arts and dementia care, and calls t >
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Curator Mary Coyne weighs in on disparities in the art world, between alternative and institutional art spaces, patrons, >
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The Colonial Logic of the Independent Artist
Emily Gastineau recaps a conversation on "Place, Race, Geography and Power" at the recent Hand in Glove confer >
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Let's Spend Some Time Unpacking the Uncommon Field, Too
Camille Erickson reports back from Hand in Glove 2015, and wonders: Why not unpack the assumptions behind holding a &quo >
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Getting to Know the Fringe in a Biblical Way
Mn Artists' editor reports back after a full evening of shows wrestling with angels, coming to Jesus, making deals >
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A Walking Tour Through Paradise
Novelist Sarah Stonich teams up with artist Mickey Smith for a photo-essay on this year's iteration of "headla >
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Sean Smuda on Eric Frye's series for Midway Contemporary Art on "compositional epistemologies," an erudit >
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Why Is It So Difficult to Talk Critically About Socially Engaged Art?
Definitions of terms for work loosely designated as "social practice" is contentious business. >
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Every region has its beloved local musicians, but Minnesota is particularly fanatical about the hometown talent. >
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Go past the ping-pong table, past exits for the “Historic Staircase” and the oversized games, and at the very back of th >
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DANCE: 2008 Sage Awards (More Insidery Than Ever)
Dance critic Camille LeFevre plays connect the dots with this year's SAGE Award "Performance" category no >
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Ephemeral Pleasures: Investigating Micro-exhibitions
Duluth writer Hannah Dentinger goes straight to the source to get the skinny on the factors driving what appears to be a >
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Suzanne Szucs interviews painter Adu Gindy about her show and that of Joy Kops and Peter Weizenegger. >
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Producer Marya Morstad continues the Radio mnartists series of podcasts and KFAI radio interviews with Minnesota artis >
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Is the art world necessarily a dog eat dog place? Does reputation mean more than substance? >
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Jack Becker and The Many Lives of Forecast Public Artworks
Americans for the Arts has presented its Public Art Award to Public Art Review magazine for outstanding service to th >
