Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Camille LeFevre reviews the latest incarnation in Morgan Thorson's "Still Life" series, this time made fo >
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An Exquisite Preeminence of the Body
In the Walker's expansive exhibition, "Merce Cunningham: Common Time," artistic disciplines effortlessly >
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Bluebeard Meets Ibsen in a Gilded Age Mansion
Camille LeFevre reviews Combustible Company's campy, absorbing production, "Bluebeard's Dollhouse," >
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Everything Was Beautiful and Nothing Hurt
Camille LeFevre on the ways ballet is going mainstream, from Starz network's new show, "Flesh and Bone," >
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Putting the Buzzwords of Engagement Into Motion
Emily Gastineau unpacks the ways BodyCartography Project is using real dance skills of sensing, paying attention, and ex >
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Susannah Schouweiler reports back from her discombobulating, one-on-one performance of "closer" by BodyCartogr >
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Curator and writer Mary Coyne reviews the new works featured in this year's Momentum showcase, by Luke Olson-Elm, H >
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Digging Up the Ghosts of Modern Dance
Emily Gastineau reviews "Appalachian Spring Break," the latest from choreographer Scott Heron, which revives ( >
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Camille LeFevre reviews Morgan Thorson's new "endurance-based dance work," happening in the Weisman Art M >
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Camille LeFevre on the raw violence and emotional candor of Martha Graham's dance, on view in the repertory and new >
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Off-Leash Area's recent piece for their tiny garage stage, an homage to the life and art of Jean Michel Basquiat, i >
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FRINGE SHORTS: "Labyrinth" by Vox Medusa
Reviewed: a stylized, often puzzling dance interpretation of the Ariadne/Minotaur myths directed by Kristen Freya of Vox >
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FRINGE SHORTS: "Tough Love" by Cathy Wright
Our reviewers are on the scene at the 2014 Fringe Festival, covering a sampling of the shows on offer this year. >
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American Dance Festival: What's Love Got to Do With It?
Lightsey Darst continues her dispatches from the 2014 American Dance Festival in Durham, NC, this time on Ishmael Housto >
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Emily Johnson/Catalyst wrapped up her ambitious trilogy of dance works with "Shore," premiered recently Northr >
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Ragamala Dance's collaboration with saxophonist and composer Rudresh Mahanthappa is the company's most sensual >
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FRINGE SHORTS: Buckets and Tap Shows (excerpts from "DREAMS")
Buckets and Tap Shoes is a Fringe favorite for good reason. >
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FRINGE SHORTS: "Non Edwards' Bob Fosse Makeover"
There's nothing new here. >
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FRINGE SHORTS: "Analog" by Katharine Hawthorne
Hawthornes created an intriguing (and too long, by half) complex dance work that eschews 21st-century obsessionswith t >
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'Here & After' and 'Slippery Fish': the week in local dance
Lightsey Darst saw Time Track Productions' recent "Here and After," with choreography by Paula Mann, medi >
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From Skin to Desire: the week in dance
Lightsey Darst offers dispatches from two shows, the seductive and provocative "Dim All the Lights" at the BLB >
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Lightsey Darst begins a new column on dance for us this week with a lovely piece on seeing Ananya Dance Theatre's r >
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FRINGE SHORTS: "The Dust" by Core Project Chicago
Amber Davis enjoyed the excerpts from Core Project Chicago's thought-provoking interdisciplinary movement piece exp >
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FRINGE SHORTS: "BOOGIEography" by Blue Umbrella Productions
Camille Lefevre says this crowdpleasing festival favorite is "quick, quirky and fun." If you'd like to se >
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FRINGE SHORTS: "Identity" by Threads Dance Project
Camille LeFevre says this young dance troupe performs sometimes unsteadily, but with conviction: "The intention is >
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FRINGE SHORTS: "The Mysterious Disappearance of the Second Younger Sister" by RE/Dance
Camille LeFevre says RE/Dance's show generated more unresolved questions than answers: "Is it an allegory abo >
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FRINGE SHORTS: "Nucleus...and Other Cell Bodies" by Kelly Radermacher
Playwright phillip andrew bennett low was really excited to see a Fringe show mixing dance and science -- turns out &quo >
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FRINGE SHORTS: "Voices of Action: Women in Performance"
Actor and stage manager Amber Davis is a new addition to mnartists.org Fringe team. >
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Shapiro & Smith: A Crucible for Local Dance
Lightsey Darst reviews the recent 25th anniversary concert by Shapiro & Smith Dance, a company from which has emerge >
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Lightsey Darst reviews Minnesota Dance Theatre's spring concert - for this, their 50th anniversary season, director >
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Lightsey Darst reviews a recent performance of new dance works by Penny Freeh and Paula Mann with Steve Paul and Time Tr >
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Lightsey Darst reflects on the surprises, mysteries, and genuinely festive moments of this year's local choreograph >
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Lightsey Darst digs into the intimate, occasionally contradictory relationship that emerges when a dancer brings new cho >
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Lightsey Darst offers a first-person appraisal of Merce Cunningham's work - in performance, as a legacy, as danced >
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Lightsey Darst on James Sewell Ballet's fall concert: "Everything always looks good in Sewell-land and his dan >
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Dancing the Rhythm and Pattern of Life
Lightsey Darst saw the recent fancy dance at the Cowles, by the Native Pride Dancers, and she wonders: "Shouldn >
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Dancing in the Margins of Gender
Lightsey Darst had mixed feelings about "Tidal Tendencies," new dance works by local choreographers Jessica Br >
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Lightsey Darst took in some dance at Soo VAC recently, featuring work by Kristin Van Loon, Katherine Hawthorne and Chris >
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FRINGE SHORTS: "Ballet Amore" by Cities' Classical Dance Ensemble
Lightsey Darst weighs in on a show by the Twin Cities newest ballet company, "Ballet Amore:" she says it' >
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FRINGE SHORTS: "The Attic Room" by RE/Dance Group
Camille LeFevre raves, "After years of watching dance at Fringe and writing aimed at encouraging the almost-there, >
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FRINGE SHORTS: "The Love Song of J. Alfred Prufrock"
Lightsey Darst offers a perceptive, fantastically witty review of a show she says "truly reeks of college dorm room >
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FRINGE SHORTS: "Flesh" by Present State Movement
Lightsey Darst reviews one of this year's most buzzed-about Fringe performances, "Flesh" by Present Stat >
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FRINGE SHORTS: How Do You See It? by Christopher Watson Dance Company & Jeffrey Peterson Dance
Camille LeFevre reports back from a collection of thoughtful dance performances at the Fringe, choreographed by Christop >
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