Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
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Two stories by visual artist and photographer Pao Houa Her illuminate the transformative presence of plants within perso >
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Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestr >
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Groundbreaking: The Calendar of Daily Fractures
Artist and photographer Jiamu Wu cracks open the deep observation of road surfaces that grew into the project Daily Frac >
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The Long Practice of Cumulative Attentiveness
Interdisciplinary artist Ian Hanesworth considers the shifts of attention that arose in the process of their print serie >
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Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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Are We Black Yet?: On Blackness as Art
Drummer, composer, writer and professor of African American literature and culture Davu Seru explores a body of ideas be >
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Backyard Histories: Bethany Lacktorin and Nik Nerburn in Conversation
Artists Bethany Lacktorin and Nik Nerburn gathered in a Google Doc to discuss how their story-based work engages with th >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Maya Beck charts a lineage of black trailblazers, from John Coltrane to Kid Cudi to her own father, examining the partic >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >
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Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >
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Fresh from a winter biking trip through the North country, musician Ben Weaver returns to the political and cultural fra >
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Filmmaker and educator Kevin Obsatz on art experiments, the freedom in making "unmarketable" work, exercises i >
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Ben Weaver on the trouble with lionizing artists' struggles, with a call for boldness in the face of want, solidari >
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Critic and curator Johanna Burton on Alexa Horochowski's "Vortex Drawings," for which the artist uses win >
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Filmmaker Kevin Obsatz on the ritual and ethos of practice in game-play, games as media of communication, and some relat >
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Into the Groove: When Curators, Artists, and Critics Dance
Christina Schmid on the "dancing together naked in public" that artists and critics do, as seen through the le >
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Eva Rose Cohen's new strip reflects on artists giving gifts of their own creation. >
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Ben Weaver on the work of activism, love, and putting anger to good use for both as we contemplate the future of ourselv >
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This Prairie Has Always Been Her Ocean
Ben Weaver reports back from "My Ocean," a site-specific sound and performance installation at the Ordway Prai >
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Eva Rose Cohen's strip, on the lived experience of a young working artist, grapples with art and social justice, pe >
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Let's Talk About the "Universal" (White, Male) Artist
In a sprawling essay meandering from Joseph Beuys and George Morrison to recent MFA thesis work by MCAD graduate Nick Ri >
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Sean Connaughty reflects on the tales left behind in our garbage, stories about human choice and ignorance that will be >
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Ramble Ramble: Art Shanty Projects
Musician, biking advocate, and rambling art critic Ben Weaver winds his way through the cities' late-winter slush t >
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COMIC: Are You a Box or Filter Artist?
Eva Rose Cohen's new strip on the day-to-day work of art grapples with the question artists everywhere love to hate >
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Musician Ben Weaver offers the first of several dispatches by bike, this time on artist Sam Gould's new storefront >
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Can We Envision Communities Beyond Place, Beyond Ownership?
Concentrated pockets of power functioning multilaterally and multinationally are required to uphold the dizzying capital >
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Musician, poet, and bike advocate Ben Weaver reflects on the stories we tell ourselves and others about what it is we do >
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Emily Gastineau ponders the evolving currencies of attention in the arts, what it means to produce something for another >
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The demographics and economic realities of rural America are shifting. >
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WATCH: Superscript 2015 Keynote, Ben Davis
National art critic for Artnet News, Ben Davis, makes a case for "post-descriptive criticism," writing about a >
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WATCH: Superscript 2015 Keynote, James Bridle
"Citizen-Ex" creator James Bridle on surveillance, citizenship, art and activism. >
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The Digital World Has Made Performers of Us All
The best writing online does more than put beautifully turned phrases on a screen — it performs ideas in digital space. >
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Speculations on Digital Arts Media's Future(s)
We asked journalists, artists, and critics — from Washington Post and ArtSlant to MinnesotaPlaylist.com, Culturebot, Art >
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Erika Ritzel's series of photographs of objects in situ at estate sales are surprisingly poignant, heavy with emoti >
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A Dance is More Than Intellectual Property
You can (under very specific circumstances) copyright a dance - but is that the best way to protect an artist's &qu >
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The Columnest: Of Pinterest and Porn and Good Bad Decisions
Lightsey Darst on writer's block and pinning recipes with your mother-in-law, Rule 34 and the black hole at the cen >
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Sam Gould makes the case for a rangier sort of socially-engaged art, one that forgoes easy, artworld-friendly categories >
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Are Podcasts the Future of Public Broadcasting?
Podcasts have grown into far more than a nerdy, underground pastime. >
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When once-hidden details of Native heritage eventually come to light for later generations, people so assimilated they h >
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