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Camille LeFevre reviews the latest incarnation in Morgan Thorson's "Still Life" series, this time made fo >
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Whose Story Is This?: "Born in Iraq"
Kim Surkan reviews "Born in Iraq," by Earth Speak Theater (at the Mixed Blood Theater through July 15, shows a >
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Lightsey Darst reviews the extraordinary here it is / here it is by
Melissa Birch at the Bryant-Lake Bowl. >
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Movement Architecture: Verve and Cringe
Lightsey Darst saw Deborah Jinza Thayer's amazing "Movement Architecture" at the Southern Theater last we >
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A Pleasantly Prickly Playdate with "Mr. Marmalade"
TC Daily Planet assistant editor Jay Gabler caught the new Walking Shadow production, "Mr. >
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Queen Compromises, Playwrights Hold the Line: "God Save Gertrude"
Actor and writer Marc Halsey caught up with the principals behind the punk opera "God Save Gertrude," a new pr >
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Playwrights Play House. Seriously.
Actor Marc Halsey goes behind the scenes at the Workhaus Collective, a recently formed playwright-driven theater company >
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The Good, the Great, the Papier Mache Heads: The DAI Annual Membership Exhibition
Julia Durst recently took in the varied work at the much beloved, democratically presented annual DAI membership show he >
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God Speaks (Again): Craig Harris's "Five Books"
Theater veteran Dean Seal experienced composer Craig Harris's presentation of the voice of God at a recent Nautilus >
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The Pleasures and Perils of Young Love: Jon Ferguson's "You're My Favorite Kind of Pretty"
Even self-proclaimed romance cynic Christy DeSmith can't hold out against the earnest charms of Jon Ferguson's >
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Line in the Sand: Off-Leash Area's "Border Crossing"
Christy DeSmith weighs in on Off-Leash Area's most ambitious "movement theater" production yet, examining >
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THEATER: This is the Way the World Ends
Performance critic Lightsey Darst reflects on a new show, "Socktesting," which explores the uneasy terrain bet >
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THEATER: The Patriot: Inside "Jasper Johns"
Skewed Visions' latest show, "Jasper Johns," aims to unpack, via a variety of theatrical forms, the epony >
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THEATER: Shakespeare in the Parking Lot
Christy DeSmith attended the new all-female, circus-themed rendition of the bard's blood thirstiest tale, "Tit >
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THEATER: Chasing Windmills in Lanesboro
Theater critic Christy DeSmith weighs in on Commonweal Theatre's production of "Man of La Mancha" and on >
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FRINGE SHORTS: "The Underpants Show" at the Ritz
Lightsey Darst is reporting back on a sampling of dance-y productions which are on stage as part of this year's Fri >
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FRINGE SHORTS: "Deviants" by Live Action Set
Theater maven Christy DeSmith is reporting back on a handful of this year's Fringe offerings for mnartists.org. >
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FRINGE SHORTS: "You're No Fun" presented by Bedlam Theatre
Christy DeSmith is reporting back on a handful of this year's Fringe offerings for mnartists.org. >
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FRINGE SHORTS: "The Nosdrahcir Sisters" by Sara and Kimberly Richardson
Christy DeSmith weighs in on the unabashedly feminine pleasures to be found in the big-hearted silliness presented by ac >
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FRINGE SHORTS: "The Gypsy and the General" by 3 Sticks
Theater maven Christy DeSmith offers a short review of the richly textured musical theater production by 3 Sticks, " >
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FRINGE SHORTS: "The Jamal Lullabies" by Emily Conbere
Lightsey Darst assesses the satirical musical theater production, "The Jamal Lullabies," by Emily Conbere and >
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THEATER: Open Eye Takes to the Streets
Bringing their puppetry and figure theater to a neighborhood near you, Open Eye Figure Theatre wraps up its summer-long >
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THEATER: Looking Over "Fences"
Playwright Matthew Everett weighs in on Penumbra Theater's ambitious production of August Wilson's classic pla >
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THEATER: Comedy in the Long Shadow of the Reich
Playwright Matthew Everett weighs in on Walking Shadow Theatre's new production, "Amazons and Their Men," >
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Theater critic Christy DeSmith reflects on the first weekend's Naked Stages 2008 offerings which included deep thou >
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THEATER: "Animal Farm" from Page to Stage
Theater critic Christy DeSmith offers her take on Jon Ferguson's ambitious staging of the classic dystopian George >
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THEATER: A Good Night of Sandbox Play
Playwright Matthew Everett took in the new Sandbox Theatre offering, loosely based on Edgar Allen Poe's "Masqu >
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2008 YEAR IN REVIEW: Theater, Music and Dance
Minnesota actors, dancers, choreographers, and theater-goers respond to the year that was, taking stock of the moments, >
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Taking "Beautiful Stories" from Page to Stage
Playwright Matthew Everett goes behind the scenes of a new co-production by Hardcover Theater and Workhouse Theatre--a s >
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Playwright Cass Erickson weighs in on Frank Theatre's staging of Marina Carr's "By the Bog of Cats"- >
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A Crisp New Take on 'Crime and Punishment'
Theater critic and performer Jaime Kleiman offers an engaging preview of Ten Thousand Things' new stage adaptation >
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Writer Maggie Sandford profiles Hardy Coleman, a well-received writer and playwright (with a new play in the Bedlam' >
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Jaime Kleiman takes you behind the scenes of Workhaus Collective's latest production, "800 Words," an int >
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Actor and theater critic Jaime Kleiman profiles Aditi Kapil -- an Ivey Award-winning writer, actor, and director -- abou >
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FRINGE SHORTS: "Fearsome Critter" by Mother/Destroyer
Playwright Matthew Everett will be sending back dispatches from the festival all week. >
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FRINGE SHORTS: "Tragedy of You" by Joseph Scrimshaw Productions
Max Sparber, one of our theater critics on the scene at this year's Fringe Festival, offers his enthusiastic recomm >
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FRINGE SHORTS: "Love Me Or Die!" by Savage Umbrella
Playwright and Fringe-devotee Matthew Everett explains why this show by Savage Umbrella is, after all he's seen, hi >
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FRINGE SHORTS: "The Harty Boys in the Case of the Limping Platypus"
Max Sparber thoroughly enjoyed this spoofy production by Joshua Scrimshaw and Levi Weinhagen -- he found this clever sat >
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FRINGE SHORTS: "Rumspringa - The Musical" by Best Weird Dog
Matthew Everett had mixed feelings about this musical theater production -- he loved he inventive Amish girl-meets-robot >
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FRINGE SHORTS: "Tales ... of the Expected" by Ari Hoptman
Max Sparber appreciated Ari Hoptman's dry, quirky wit very much -- read on for Sparber's take on the productio >
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FRINGE SHORTS: "Bard Fiction" by Tedious Brief Productions
Matthew Everett and his Mom both loved this Elizabethan, versified retelling of Tarantino's now-classic film, PULP >
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The Boundaries of Force and Harm
Theater critic Quinton Skinner weighs in on Mixed Blood's new production, Lynn Nottage's "Ruined", d >
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Jaime Kleiman chats with Joseph & Sarah Scrimshaw about their new entrepreneurial venture, Joking Envelope, which ai >
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Theater critic Quinton Skinner weighs in on the touring Broadway production of the 2008 Tony Award-winner, "In the >
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A Spirit of Yes: "Call Cutta in a Box"
Quinton Skinner reports back on the "intercontinental phone play" by Rimini Protokoll, presented as part of th >
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Lightsey Darst previews "Minneapolis New Breed," a dance showcase at the Southern (February 25-28) featuring t >
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Cather's Prairie Classic, from Page to Stage
Britt Aamodt reviews "My Antonia," a new play by Allison Moore, directed by Illusion Theater's Michael Ro >
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