An Exquisite Preeminence of the Body
In the Walker's expansive exhibition, "Merce Cunningham: Common Time," artistic disciplines effortlessly >
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Though all of Christopher Baker's latest installations rely on clever use of new technologies, there’s something ol >
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Bluebeard Meets Ibsen in a Gilded Age Mansion
Camille LeFevre reviews Combustible Company's campy, absorbing production, "Bluebeard's Dollhouse," >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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The Mill City Museum's historic Ruin Courtyard makes a surprisingly fitting setting for this rendition of the gleef >
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New work by Shana Kaplow and Rebecca Krinke explores the usually unremarked global, personal, political stories tangled >
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Sheila Dickinson reviews the latest by lesser mortals, "Art (Like It Matters)," at the Weisman Art Museum for >
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The elegant decay of both the setting and characters in Flannery O'Connor's novel, Wise Blood, provide an idea >
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Artist Aaron Marx offers a dispatch from the first in a series of juried exhibitions planned by Make It Move, a new Minn >
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Camille LeFevre browses the Minneapolis Institute of Arts' new exhibition devoted to the glamour, luxury and busine >
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Kitsch is Dead, Long Live Kitsch
Nathan Young looks into two new bodies of work, by Mathew Zefeldt and Andy Messerschmidt, through the historical lens of >
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Camille LeFevre reviews the intriguing photography exhibition on view now at the Mpls Photo Center, "Perceptual Opp >
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Camille LeFevre muses on the distinctly Scandinavian architectural and cultural sensibility behind the summer houses fea >
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Writer Maggie Ryan Sandford profiles the artists behind Landland, Jessica Seamans and Dan Black, up-and-comers whose int >
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Seeing "Six McKnight Artists" at the Northern Clay Center
Mason Riddle calls this show of 2008 McKnight fellows' new work in ceramics "one of the most compelling of its >
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Camille LeFevre reflects on the airy, utopian constructions of architect Tomás Saraceno, a number of whose creations are >
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VISUAL ART: Out of the Gallery and Into Everyday Life
Artist and writer Ann Klefstad talks with Terrence Payne and John Alspach, the artists behind Broad Cast, a floating exh >
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VISUAL ART: What's Old Is New Again
Art critic Mason Riddle offers her take on the Hennepin History Museum's soon-to-close photography exhibition which >
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Critic Julie Caniglia weighs in on Rosalux Gallery's annual group show, "Open Door," which highlights wor >
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VISUAL ART: Thermodynamics, The Art of Kiln and Furnace
Writer Hannah Dentinger offers an eloquent investigation into the stylish, deft craftsmanship on exhibit at the DAI' >
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What an Artisan Brings to the Table (and Chair)
Sculptor Sam Spiczka reflects on the makers' marks which distinguish the pieces on display at the soon-to-close &qu >
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We Come From Everywhere: "Midwest Sanctuary" at Altered Esthetics
Matt Konrad took in the new group show at Altered Esthetics, highlighting work from people around the world who've >
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New Prefab: Fabulous or Fable?
Stephanie Xenos looks at "Some Assembly Required," a show of new prefab designs at the Walker Art Center. >
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Julie Snow Architects: High Modern Mediation
Julie Snow is working on a surprising and innovative addition / transformation of the Soap Factory's venerable and >
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Reexamining the Rules: Tom Rose
Mason Riddle here writes a thoughtful essay on Tom Rose's work, exemplified by his recent show at Flanders Gallery, >
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The Free Republic of Duluth: At Last, Real Candidates
When mnartists.org asked writers to look for artist-led initiatives to make the world a better place, Jean Sramek found >
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This high-concept show has artists imitating each others' works. >
