Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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A Braided History in a Time of Resistance
Arts writer Sheila Regan offers an embodied meditation on family, storytelling, and the strength and fragility of the bo >
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Suzanne Szucs on Rochester Art Center's "Minnesota Goes Pop" exhibition, which takes Andy Warhol's w >
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Black steers all varieties of brightness into the shade, darkening and deepening lighter hues. >
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Terrible Beauty in a Flawed System
Amanda Curreri's provocative work across media sits at the intersection of contemporary art, activism, and history >
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Critic Mary Coyne looks into the unlikely juxtapositions, uncanny histories, and symbolic gestures of a new, collaborati >
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What Constitutes "American" Art?
Minnesota Museum of American Art invites five curators, from a diverse range of cultural backgrounds, to select work tha >
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Craig Olson reviews "superusted," the Soap Factory's fourth Midwest Biennial, curated this time by Cheryl >
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"Coyote Dreams" in Dark Fairy Tales
Buffalohead’s sweetly drawn woodland creatures inhabit a charming, storybook world that belies the serious challenge ju >
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Tim White takes stock of the art currently shaping the North country's cultural scene by way of the work on view in >
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Kitsch is Dead, Long Live Kitsch
Nathan Young looks into two new bodies of work, by Mathew Zefeldt and Andy Messerschmidt, through the historical lens of >
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On Aaron Spangler's latest body of woodcut prints, which articulate a vision of contemporary myth by way of ancient >
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Something Borrowed, Something Blue: "Trio" at Northern Prints Gallery
Julia Durst caught Trio at Northern Prints Gallery in Duluth. She was most impressed with the work of Rob Quisling. >
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Writer and West Bank Social Center co-founder Miranda Trimmier reflects on the recent retrospective of the Parisian art >
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Writer Maggie Ryan Sandford profiles the artists behind Landland, Jessica Seamans and Dan Black, up-and-comers whose int >
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Healing the Wounds of War: "Combat Paper Project"
Alison Morse looks into the "Combat Paper Project," at the MCBA Sept 21 - 28, with a profile of the artists wh >
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An engaging essay by Andy Sturdevant on the perennial lure of strange and beautiful objects, written in honor of mnartis >
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Camille LeFevre reflects on the airy, utopian constructions of architect Tomás Saraceno, a number of whose creations are >
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Hannah Dentinger reflects on Robb Quisling's new show, "(ISP) Individual Service Plan," on view at the DA >
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VISUAL ART: Assessing the 2008 MCAD/Jerome Fellows Show
Critic and artist Ann Klefstad reflects on the fruits of this year's crop of Jerome Fellowships--she's decided >
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Critic Mason Riddle took in the second annual "Summer Invitational" group show at Thomas Barry Fine Arts (on v >
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Hannah Dentinger went to Chris Monroe's "Tee Shirt Show" at Starfire Screenprinting in Duluth and found a >
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Can Art Be a Weapon Against War?: Guerilla Art
Mark Wojahn found "Guerilla Art" to be authentic but spotty, but worth seeing, all in all. >
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Michael Fallon reviews "Skin 2003 part 2." It's at the Icebox Gallery in Northeast Minneapolis,
2401 Cen >
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This high-concept show has artists imitating each others' works. >
