A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
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A Deep-Rooted Sweetness: Bobby Rogers' The Blacker the Berry
Artist and writer Amina Harper dives deep into the lush imagery of Bobby Rogers, weaving together the fraught history of >
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A Braided History in a Time of Resistance
Arts writer Sheila Regan offers an embodied meditation on family, storytelling, and the strength and fragility of the bo >
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Suzanne Szucs on Rochester Art Center's "Minnesota Goes Pop" exhibition, which takes Andy Warhol's w >
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Though all of Christopher Baker's latest installations rely on clever use of new technologies, there’s something ol >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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Black steers all varieties of brightness into the shade, darkening and deepening lighter hues. >
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For all its media-rich elements, there's an air of the ancient, an uncanny, old-as-time tension between dreaming an >
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Critic Mary Coyne looks into the unlikely juxtapositions, uncanny histories, and symbolic gestures of a new, collaborati >
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What Constitutes "American" Art?
Minnesota Museum of American Art invites five curators, from a diverse range of cultural backgrounds, to select work tha >
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Rollin Marquette’s new drawings are not studies or plans for specific sculptures. >
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Craig Olson reviews "superusted," the Soap Factory's fourth Midwest Biennial, curated this time by Cheryl >
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Two years after the hard-won legalization of gay marriage, queer couples are just as respectable as their straight count >
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New work by Shana Kaplow and Rebecca Krinke explores the usually unremarked global, personal, political stories tangled >
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Susannah Schouweiler reports back from her discombobulating, one-on-one performance of "closer" by BodyCartogr >
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Sheila Dickinson reviews the latest by lesser mortals, "Art (Like It Matters)," at the Weisman Art Museum for >
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Wunderkammer Redux (Or, An Unnatural History)
In the most elegant possible way, Kate Casanova's work across media sets out to make our habits of perceiving the b >
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Artist Aaron Marx offers a dispatch from the first in a series of juried exhibitions planned by Make It Move, a new Minn >
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The sheer scope and variety of George Morrison's body of work - intimate paintings and monumental sculptures, pen-a >
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"Coyote Dreams" in Dark Fairy Tales
Buffalohead’s sweetly drawn woodland creatures inhabit a charming, storybook world that belies the serious challenge ju >
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Tim White takes stock of the art currently shaping the North country's cultural scene by way of the work on view in >
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Why is it that we can talk at length about the personal, psychological, formal and material qualities of art, smartly di >
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The New Wave of Artists Redefining 'Rural'
RACA draws attention to "rural art" going well beyond bufflehead portraits and gentle landscapes in a playful, >
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Marsha Trainer digs into Dana Weiser's exhibition, "Who Are You?!?" - provocative, appealing work that ad >
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Lightsey Darst took in some dance at Soo VAC recently, featuring work by Kristin Van Loon, Katherine Hawthorne and Chris >
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Travel writer Frank Bures, with a perceptive essay on Argentine artist Guillermo Kuitca's evocative, map-filled pai >
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VISUAL ART: The Prolific Vision of Frank Big Bear
Critic Ann Klefstad weighs in on the new exhibition of drawings by 2008 Bush "Enduring Vision" award-winner Fr >
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VISUAL ART: Assessing the 2008 MCAD/Jerome Fellows Show
Critic and artist Ann Klefstad reflects on the fruits of this year's crop of Jerome Fellowships--she's decided >
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Critic Mason Riddle took in the second annual "Summer Invitational" group show at Thomas Barry Fine Arts (on v >
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Art critic Ann Klefstad reflects on the victorious return of story to art, a triumph evidenced by the narrative-rich wor >
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Critic Julie Caniglia weighs in on Rosalux Gallery's annual group show, "Open Door," which highlights wor >
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VISUAL ART: Mind Over Matter, Work by Roman Signer
Artist and critic Carmen Tomfohrde took in the new exhibition of sculpture, drawings, film and video by Swiss artist Rom >
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A Gumbo of Ideas: Rico Gatson at the MCAD Gallery
Mason Riddle offers a nuanced analysis of this provocative, multi-layered (and multimedia) exhibition by Rico Gatson, wh >
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We Come From Everywhere: "Midwest Sanctuary" at Altered Esthetics
Matt Konrad took in the new group show at Altered Esthetics, highlighting work from people around the world who've >
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Welcome to This World: Rabbett Before Horses Stricklands Paintings and Drawings
Reviewer Hannah Dentinger took in the new Rabbett Before Horses Strickland exhibition at the Tweed Museum of Art in Dulu >
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The Ambiguity of Wonder: Mark Dion, Christine Baeumler, and Eleanor McGough at Gallery Co.
Christina Schmid investigates nuanced renderings of nature's hidden frailties and marvels in "Naked Wonder&quo >
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Can Art Be a Weapon Against War?: Guerilla Art
Mark Wojahn found "Guerilla Art" to be authentic but spotty, but worth seeing, all in all. >
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Michael Fallon went to Soo VAC and took in "Token Male," a show of photography, sculpture, drawings and more >
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Review: "Eat More Dirt" by Ellen Sandbeck
Eat More Dirt, published by Broadway Books, is widely available and retails for $10.95. >
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The Seer of Red Wing: The Art of Charles Biederman
Glenn Gordon, who has been documenting the work and life of Charles Biederman, reviews a small retrospective of this e >
