A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
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A Deep-Rooted Sweetness: Bobby Rogers' The Blacker the Berry
Artist and writer Amina Harper dives deep into the lush imagery of Bobby Rogers, weaving together the fraught history of >
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A Braided History in a Time of Resistance
Arts writer Sheila Regan offers an embodied meditation on family, storytelling, and the strength and fragility of the bo >
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Suzanne Szucs on Rochester Art Center's "Minnesota Goes Pop" exhibition, which takes Andy Warhol's w >
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Camille LeFevre reports back on the Guggenheim's retrospective exhibition of work by noted abstract painter Agnes M >
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Amanda Hamilton's new series of small works grapple with the transcendence and despair of our present moment, with >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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Black steers all varieties of brightness into the shade, darkening and deepening lighter hues. >
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Shawna Gilmore's Peaceable Kingdom
Looking to fairy tales, myths, and other beloved imaginary landscapes for inspiration, Shawna Gilmore's works offer >
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Christina Schmid looks into the quiet tension in the corners of Andrea Büttner's work, between humility and humilia >
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What Constitutes "American" Art?
Minnesota Museum of American Art invites five curators, from a diverse range of cultural backgrounds, to select work tha >
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Craig Olson reviews "superusted," the Soap Factory's fourth Midwest Biennial, curated this time by Cheryl >
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There's a gently subversive play with medium and history in Karen Savage Blue's paintings — oscillating betwee >
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New work by Shana Kaplow and Rebecca Krinke explores the usually unremarked global, personal, political stories tangled >
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Sheila Dickinson reviews the latest by lesser mortals, "Art (Like It Matters)," at the Weisman Art Museum for >
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With a foot squarely planted in the aesthetic traditions of minimalist art, Gregory Fitz uses humble materials to make s >
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Art historian Sheila Dickinson grapples with art, transformation and ethics-in-action, inside the studio and out, by way >
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The sheer scope and variety of George Morrison's body of work - intimate paintings and monumental sculptures, pen-a >
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"Coyote Dreams" in Dark Fairy Tales
Buffalohead’s sweetly drawn woodland creatures inhabit a charming, storybook world that belies the serious challenge ju >
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Off-Leash Area's recent piece for their tiny garage stage, an homage to the life and art of Jean Michel Basquiat, i >
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Tim White takes stock of the art currently shaping the North country's cultural scene by way of the work on view in >
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Why is it that we can talk at length about the personal, psychological, formal and material qualities of art, smartly di >
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Kitsch is Dead, Long Live Kitsch
Nathan Young looks into two new bodies of work, by Mathew Zefeldt and Andy Messerschmidt, through the historical lens of >
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The New Wave of Artists Redefining 'Rural'
RACA draws attention to "rural art" going well beyond bufflehead portraits and gentle landscapes in a playful, >
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Unsung Alchemist: Hollis MacDonald
In the '60s Hollis MacDonald enjoyed the recognition of critics and gallerists alike. >
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Writer Stephanie Ash profiles the artists of the Rural America Contemporary Art (RACA) group, who are reinventing art ma >
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FRINGE SHORTS: "The 612" by Rogues Gallery Arts
Christy DeSmith had high hopes for this show after seeing the cheeky, local-music themed marketing postcard. >
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From the Rez, to the Hood, to the Lake
Sheila Regan profiles Frank Big Bear upon his recent return to painting, the fruits of which are now on view in All My R >
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Vasili Nechitailo - Russia's Mid-Century Master Craftsman
Andy Sturdevant muses on the extensive retrospective of paintings by mid-20th century master Vasili Nechitailo, on view >
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Reconsidering the MCAD/Jerome Fellowship Exhibition
Diane Mullin, associate curator at the Weisman and former MCAD/Jerome Fellowship director, makes the case for rethinking >
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Seeking Reconciliation through Art
Sheila Regan profiles the new Tarnish and Gold exhibition, "The Art of Conflict," an ambitious project showing >
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Travel writer Frank Bures, with a perceptive essay on Argentine artist Guillermo Kuitca's evocative, map-filled pai >
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Critic Corinna Kirsch looks closely at Aaron Van Dyke's new works, photograms and abstract paintings that "fun >
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Critic and curator Corinna Kirsch muses on Andrea Stanislav's new exhibition at the Burnet Gallery in Chambers Hote >
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Andy Sturdevant weighs in on the Walker's salon-style show, "Benches and Binoculars," with an incisive es >
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Everything and Nothing, All at Once
Ruben Nusz weighs in the ongoing Rob Fischer exhibition, at Franklin Artworks through October 30, calling the artwork &q >
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An engaging essay by Andy Sturdevant on the perennial lure of strange and beautiful objects, written in honor of mnartis >
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Artist and occasional critic Ruben Nusz took in the exhibition of paintings by Karel Funk at the Rochester Art Center -- >
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VISUAL ART: Performance Captured for All to See
Writer Camille LeFevre took in the show, "Art of Performance," currently on view at Altered Esthetics, and she >
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VISUAL ART: Birchbark Boxes, Bandolier Bags, and Modern Art
Ann Klefstad reflects on the new Nelson collection, a gift to the Tweed: artwork and craft by Native artists, from histo >
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VISUAL ART: Assessing the 2008 MCAD/Jerome Fellows Show
Critic and artist Ann Klefstad reflects on the fruits of this year's crop of Jerome Fellowships--she's decided >
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Critic Mason Riddle took in the second annual "Summer Invitational" group show at Thomas Barry Fine Arts (on v >
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Art critic Ann Klefstad reflects on the victorious return of story to art, a triumph evidenced by the narrative-rich wor >
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VISUAL ART: Swimming in Heavy Weather
Tim Tozer's expressionistic seascapes are painterly and atmospheric and, according to critic Mason Riddle, they off >
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Making the Unseen Visible: Glenn Grafelman
Critic Mason Riddle deconstructs the conceptual depths undergirding Glenn Grafelman's philosophically ambitious pa >
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Landscapes of Loss and Transformation
Christina Schmid reflects on "The Presence of Loss" a new collaborative exhibition at Form + Content pairing v >
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