Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform. >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering >
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This Thing This Home: Stevie Ada Klaark In Conversation with Tia-Simone Gardner
Stevie Ada Klaark talks with visual artist, educator, and Black feminist scholar Tia-Simone Gardner about her tiny home >
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Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >
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An Exquisite Preeminence of the Body
In the Walker's expansive exhibition, "Merce Cunningham: Common Time," artistic disciplines effortlessly >
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NEMAA Artist Series: Aesthetics of Thrift
Susannah Schouweiler profiles Richard Simonsen, whose paintings and assemblages of found wood and metal use the mediums >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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NEMAA Artist Series: Worn on the Body
A profile of jewelry artist Sarah Chapman, whose mix of industrial and organic design elements lends itself to striking, >
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2016 Art-A-Whirl: A Cheat Sheet
Mn Artists editor Susannah Schouweiler introduces a new series of profiles of NEMAA artists and offers a handpicked sele >
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Artist Aaron Marx offers a dispatch from the first in a series of juried exhibitions planned by Make It Move, a new Minn >
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Camille LeFevre browses the Minneapolis Institute of Arts' new exhibition devoted to the glamour, luxury and busine >
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Information & resources. >
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Answers to your common questions about how to use the new site. >
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The Creative City Challenge-winning installation, "Balancing Ground," in downtown Minneapolis takes its cues f >
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Remnants and Curiosities of the Natural World
Seven established artists explore intersections of the human and animal worlds, the technological and organic spheres, a >
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Confessions of a Craft Show Organizer
Are you an artisan or craftster ready to dip a toe into the craft show waters? >
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Queer Freedom: the week in dance
A dispatch from Jaime Carrera's Outlet performance series and Trajal Harrell & Co's "(M)imosa/Twenty >
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Why Is Cindy Sherman Making Faces?
Lightsey Darst says the Cindy Sherman show is one of the most important bodies of feminist art today, but not for any of >
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Rei Kawakubos costumes for Merce Cunninghams company created a best-case scenario: a classic in the annals of modern d >
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Camille LeFevre wanders through the Walker's "Dance Works" exhibitions of Merce Cunningham's artist- >
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What Surplus Should Taste Like
Writer Jay Orff wanders the aisles of Ax-Man Surplus, musing on aesthetic evolutions, beautiful ugliness, creative ironi >
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Camille LeFevre reviews the Goldstein Museum's retrospective of master costume designer Jack Edwards's storied >
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This time of year, our dance writer Lightsey Darst yearns for glamor, for rhinestones and luxe fabrics, vamp and shimmer >
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Camille LeFevre reflects on the "delicious delirium" of seeing the Metropolitan Museum of Art's recent NY >
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Camille LeFevre muses on the art historical phenomenon of the "meat dress" - from Jana Sterbak to Lady Gaga - >
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How Minneapolis-based Munsingwear rose from undergarments to apparel dominance - all thanks to "itchless underwear& >
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"Dyed in the Wool: Kim Christensen" - KFAI (Minneapolis)
A KFAI (Minneapolis) radio feature on Twin Cities crafter Kim Christensen, who collects weeds and native plants growing >
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