Independent curator and dance producer Michèle Steinwald shares a photo essay and retrospective on her lecture/discussio >
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Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Getting Out Letter 8: Greetings from the Future, sweet eric, or the Past, by Now.
Following their previous two letters detailing their departure from art making, Eric Avery returns with an announcement: >
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Getting Out Letter 7: Dear Big Lake,
Ruth Pszwaro, poet and Artistic Director of the Grand Marais Art Colony, asks Lake Superior what it has to say to touris >
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Getting Out Letter 6: Dear Moheb,
Interdisciplinary artist Charles Campbell delivers a rant to the guest editor himself in a series of abandoned formats, >
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Following the first letter that announced their hiatus from art making (published previously in this series), Eric Avery >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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Getting Out Letter 3: Dear darling Harper just now two years old,
Educator, arts administrator, and artist Molly Van Avery chronicles the fundamental shifts in her creative practice sinc >
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Getting Out Letter 2: Dear Cruel (art) World,
In November 2016, reparationist, cultural organizer, and curious queer creative Eric Avery sent a letter to their commun >
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As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
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Getting Out Letter 1: Gurumaan, hello
Incoming guest editor Moheb Soliman introduces the series Getting Out: a series of letters sampling varied perspectives >
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An Exercise in Sensing Emotions Through Plants
Jess Hirsch, artist and founder of the Women's Woodshop, explores the power of plants to reveal our intentions and >
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Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestr >
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Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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The Long Practice of Cumulative Attentiveness
Interdisciplinary artist Ian Hanesworth considers the shifts of attention that arose in the process of their print serie >
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Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
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Comedian and improviser Monika Hetzler recounts how comedy—while it is still often inaccessible—allowed her to shift her >
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How Comedy Unmasked My Inner Queen
Community organizer May Esperanza Losloso details the lead-up to her comedy debut, considering how everyday humor and a >
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Arriving In Between Homecomings and Liberation
Visual artist Tori Hong depicts the tension between process and profession, personal and public that weaves throughout t >
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does this mean i’m a real artist now?
Artist-educator heather c. >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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The Ethics of Writing About Throwaway Women
Writer and performance artist May Lee-Yang speaks back to the critics — advocating for greater specificity in telling Hm >
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Even "The Smallest Cell Remembers": Notes on Research
Mn Artists guest editor Chaun Webster considers the precariousness of research, evidence and memory in black geographies >
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Are We Black Yet?: On Blackness as Art
Drummer, composer, writer and professor of African American literature and culture Davu Seru explores a body of ideas be >
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Black Convivial: On Blackmospheres and Sci-fi Social Work
Poet and educator Keno Evol explores Sci-fi Social Work, black sociality, and where “wreckage meets possibility.” >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Out of Place: Black Triage and its Afterlife
PhD candidate in geography and writer Aaron Mallory explores the space between injury and death to discuss the afterlife >
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A case for this: the (new Black) here and now
Writer and cultural strategist Lisa Marie Brimmer sketches an invitation to black post-blackness, a spiral encompassing >
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Blackness and the Not-Yet-Finished
Mn Artists guest editor, poet and sound artist Chaun Webster, critically engages Douglas Kearney's conceptualizatio >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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Backyard Histories: Bethany Lacktorin and Nik Nerburn in Conversation
Artists Bethany Lacktorin and Nik Nerburn gathered in a Google Doc to discuss how their story-based work engages with th >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Writer, public artist, and cultural organizer Shanai Matteson ponders the slow work of relationships, the language of so >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Maya Beck charts a lineage of black trailblazers, from John Coltrane to Kid Cudi to her own father, examining the partic >
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Senah Yeboah-Sampong delivers a fresh reading of Mary Shelley's Frankenstein through a contemporary Afrofuturist le >
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Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform. >
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Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering >
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Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
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This Thing This Home: Stevie Ada Klaark In Conversation with Tia-Simone Gardner
Stevie Ada Klaark talks with visual artist, educator, and Black feminist scholar Tia-Simone Gardner about her tiny home >
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A Deep-Rooted Sweetness: Bobby Rogers' The Blacker the Berry
Artist and writer Amina Harper dives deep into the lush imagery of Bobby Rogers, weaving together the fraught history of >
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