Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform.
Free Black Dirt was born serendipitously in a community college LGBTQ literature class in 2001, when two nerdy Black girls connected for the first time.…
Free Black Dirt. Photo: Sarah White/Fotos for Barcelona Photography.
A body / a sign : On Black subjectivity / interiority / finding tenderness: beyond political meaningfulness
Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representation of otherness, making manifest calm, interiority, and gestures of tenderness.
In order to speak a truer word concerning myself, I must strip down through layers of attenuated meanings made an excess … over time, assigned by a particular historical order, and there await…
Feminizing the Axe
Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering of tools.
Photo credit: Studio Zu.…
Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, enacting the slippage between language and what is seen or felt.
Artwork by Jennifer Nevitt. Image courtesy of Minneapolis Institute of Art. keeps watch…
This Thing This Home: Stevie Ada Klaark In Conversation with Tia-Simone Gardner
Stevie Ada Klaark talks with visual artist, educator, and Black feminist scholar Tia-Simone Gardner about her tiny home turned mobile residency, The Inhabitation Project, and the balance between stability, mobility, and intimacy in artists' connections to place.
Tia-Simone Gardner and I met on a Wednesday morning at a local café in Northeast Minneapolis.…
The Inhabitation Project, photo courtesy of Tia-Simone Gardner.
NEMAA Artist Series: For the Love of Clay
A profile of ceramic artist Julia Timm, who makes elegant, functional pieces of everyday art from her Northrup King Building studio, with a focus on color, close attention to form, and finely detailed design work.
Julia Timm (Fresh Mud Pottery) began her work in ceramics at age 50, when her youngest of four children went off to college.…
Julia Timm, small "window" plates, 2016. Photo courtesy of the artist.
After Symbols and on to Lawlessness
Critic and curator Nathan Young on the "catalytic flag-making" project, "Bleed&Burn," (ongoing now at the Soap Factory) and pushing the momentum of art for social change beyond symbolism and into action in the civic sphere.
The Soap Factory’s Bleed&Burn: Catalytic Flag Making shows a crossroads of activism, where the momentum of art for social change is pinned bet…
Bleed&Burn is on view at the Soap Factory January 14 - 21, 2017. Bark flag image courtesy of the artists.