Feminizing the Axe
Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering of tools.
Photo credit: Studio Zu.…
Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, enacting the slippage between language and what is seen or felt.
Artwork by Jennifer Nevitt. Image courtesy of Minneapolis Institute of Art. keeps watch…
This Thing This Home: Stevie Ada Klaark In Conversation with Tia-Simone Gardner
Stevie Ada Klaark talks with visual artist, educator, and Black feminist scholar Tia-Simone Gardner about her tiny home turned mobile residency, The Inhabitation Project, and the balance between stability, mobility, and intimacy in artists' connections to place.
Tia-Simone Gardner and I met on a Wednesday morning at a local café in Northeast Minneapolis.…
The Inhabitation Project, photo courtesy of Tia-Simone Gardner.
A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. Thomas considers the corruption of memes, anonymity and racism in digital space, and what it means to lay a hate symbol to rest.
Photo by Emmet Kowler, courtesy of Walker Art Center. Meme by Chris Cloud.…
Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a question that haunts this place: how to shed the awful weight of trauma and rekindle a utopian imagination.
Iyapo Repository"Unimagine this."…
Kevin Obsatz on his education as an artist, both as a student and teacher of filmmaking, and in his experiences outside the classroom.
The school system today performs the threefold function common to powerful churches throughout history.…
All stills from the author's student films made for "290," his class in Super 8 during his time at USC.
The Weather Diaries
Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Institute challenges viewers to rethink fashion as an art form and the relevance of designers geographically isolated from Western couture.
Look at her. Return her gaze. It’s difficult, in fact, to look away, so intriguing are the possibilities for narrative and discourse layered into her image.…
The Fifth Daughters, 2014, designer: Bibi Chemnitz, © Cooper & Gorfer. On view at the American Swedish Institute through July 2, 2017.