Feminizing the Axe
Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering of tools.
Photo credit: Studio Zu.…
Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, enacting the slippage between language and what is seen or felt.
Artwork by Jennifer Nevitt. Image courtesy of Minneapolis Institute of Art. keeps watch…
This Thing This Home: Stevie Ada Klaark In Conversation with Tia-Simone Gardner
Stevie Ada Klaark talks with visual artist, educator, and Black feminist scholar Tia-Simone Gardner about her tiny home turned mobile residency, The Inhabitation Project, and the balance between stability, mobility, and intimacy in artists' connections to place.
Tia-Simone Gardner and I met on a Wednesday morning at a local café in Northeast Minneapolis.…
The Inhabitation Project, photo courtesy of Tia-Simone Gardner.
A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. Thomas considers the corruption of memes, anonymity and racism in digital space, and what it means to lay a hate symbol to rest.
Photo by Emmet Kowler, courtesy of Walker Art Center. Meme by Chris Cloud.…
Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a question that haunts this place: how to shed the awful weight of trauma and rekindle a utopian imagination.
Iyapo Repository"Unimagine this."…
Kevin Obsatz on his education as an artist, both as a student and teacher of filmmaking, and in his experiences outside the classroom.
The school system today performs the threefold function common to powerful churches throughout history.…
All stills from the author's student films made for "290," his class in Super 8 during his time at USC.
The Illusion of Encounter
Kevin Obsatz on his experiences as a PA working on a documentary about the 2004 campaign season and, specifically, the show business behind the spectacle of both art and politics.
An everyday life in thrall to the spectacle […] should be understood as the systematic organization of a breakdown in the faculty of encounter, and the replacement of that faculty by a social hallucination: a false consciousness of encounter, or an “illusion o…
John Kerry campaigning in Durham, New Hampshire in 2004. Photo: William B. Plowman/Getty Images