Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
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As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
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Are We Black Yet?: On Blackness as Art
Drummer, composer, writer and professor of African American literature and culture Davu Seru explores a body of ideas be >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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Writer and artist Mai'a Williams elucidates the persistence of white supremacy in the cultural landscape of a small >
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Backyard Histories: Bethany Lacktorin and Nik Nerburn in Conversation
Artists Bethany Lacktorin and Nik Nerburn gathered in a Google Doc to discuss how their story-based work engages with th >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Writer, public artist, and cultural organizer Shanai Matteson ponders the slow work of relationships, the language of so >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform. >
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Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >
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Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >
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What's It Like to be a Young Black Artist in the Twin Cities?
Writer Lara Mimosa Montes sits down with emerging artists from MCAD's Black Artist Student Union, who presented the >
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Filmmaker and educator Kevin Obsatz on art experiments, the freedom in making "unmarketable" work, exercises i >
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Critic and curator Johanna Burton on Alexa Horochowski's "Vortex Drawings," for which the artist uses win >
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Filmmaker Kevin Obsatz on the ritual and ethos of practice in game-play, games as media of communication, and some relat >
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Though all of Christopher Baker's latest installations rely on clever use of new technologies, there’s something ol >
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NEMAA Artist Series: Animating the City
Susannah Schouweiler profiles John Akre, whose quirky stop-motion films and street-animation ventures give voice to the >
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Numinous Anomalies: Somali Visual Art in Minnesota
An emphasis on connection—between Minnesota and Somalia, artist and community—is key for "Anomalous Expansion," >
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NEMAA Artist Series: Reconciling a Hyphenated Identity
A profile of ceramic artist and sculptor Katayoun Amjadi, in a conversation ranging from take-out to geopolitical trade, >
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For all its media-rich elements, there's an air of the ancient, an uncanny, old-as-time tension between dreaming an >
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Sean Connaughty reflects on the tales left behind in our garbage, stories about human choice and ignorance that will be >
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Artist Alexa Horochowski's personal essay wanders through the bitter chill of midwinter, from experiments in the So >
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Making It: Comic Book Artist Christopher Jones
Rob Callahan continues his conversations with artists about life after a big break (or two) with comic book artist and i >
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Christina Schmid looks into the quiet tension in the corners of Andrea Büttner's work, between humility and humilia >
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Steel & Air: A New Year's Motionpoem
As a gift to the city of Minneapolis for the New Year, the Twin Cities-based poetry film company commissioned Sparky Sto >
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Can We Envision Communities Beyond Place, Beyond Ownership?
Concentrated pockets of power functioning multilaterally and multinationally are required to uphold the dizzying capital >
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Cheating Death: The Moving Images of Ana Mendieta
Even 30 years after her death, viewed in light of current political battles over women’s autonomy and equality, the sile >
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Camille Erickson takes a birds-eye view on the recent Hand in Glove gathering, summing up the calls to action we might t >
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What is the Work of Art Worth?
Emily Gastineau makes a case for more capacious language around the value of artists' labor and contribution, langu >
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One Night in the Alleyway Institute
Rob Callahan reports back from Gamut Gallery's ephemeral, back alley art collaboration-cum-"carnival of urban >
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The Colonial Logic of the Independent Artist
Emily Gastineau recaps a conversation on "Place, Race, Geography and Power" at the recent Hand in Glove confer >
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Let's Spend Some Time Unpacking the Uncommon Field, Too
Camille Erickson reports back from Hand in Glove 2015, and wonders: Why not unpack the assumptions behind holding a &quo >
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Susannah Schouweiler reports back from her discombobulating, one-on-one performance of "closer" by BodyCartogr >
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Humane Portraits from a War-Torn Region
Osama Esid's "Still/Life/Syria" invites a moment's reflection in the midst of Northern Spark's >
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WATCH: Superscript 2015 Keynote, Ben Davis
National art critic for Artnet News, Ben Davis, makes a case for "post-descriptive criticism," writing about a >
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Wunderkammer Redux (Or, An Unnatural History)
In the most elegant possible way, Kate Casanova's work across media sets out to make our habits of perceiving the b >
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