Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. >
SORT
SORT
Search Results (24)
article
article
Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
article
Though all of Christopher Baker's latest installations rely on clever use of new technologies, there’s something ol >
article
A Country Large Enough to Hold Both Melancholy and Evanescence
Writer Sheila Packa on the histories, large and small, beautiful and violent but always in flight, in Michelle Matthees& >
article
For all its media-rich elements, there's an air of the ancient, an uncanny, old-as-time tension between dreaming an >
article
Tim Nolan reviews Connie Wanek’s latest collection of poetry, "Rival Gardens: New and Selected Poems" from Uni >
article
Sheila Packa reviews the latest collection of prose poems from Julie Gard, "Home Studies," which turns on lov >
article
Putting the Buzzwords of Engagement Into Motion
Emily Gastineau unpacks the ways BodyCartography Project is using real dance skills of sensing, paying attention, and ex >
article
Susannah Schouweiler reports back from her discombobulating, one-on-one performance of "closer" by BodyCartogr >
article
Wunderkammer Redux (Or, An Unnatural History)
In the most elegant possible way, Kate Casanova's work across media sets out to make our habits of perceiving the b >
article
Artist Aaron Marx offers a dispatch from the first in a series of juried exhibitions planned by Make It Move, a new Minn >
article
Kitsch is Dead, Long Live Kitsch
Nathan Young looks into two new bodies of work, by Mathew Zefeldt and Andy Messerschmidt, through the historical lens of >
article
FRINGE SHORTS: "Two Dead Boys" by the Newton Theatre
phillip andrew bennett low was thrilled by this under-the-radar show, calling it "Hans Christian Andersen meets Itc >
article
FRINGE SHORTS: How Do You See It? by Christopher Watson Dance Company & Jeffrey Peterson Dance
Camille LeFevre reports back from a collection of thoughtful dance performances at the Fringe, choreographed by Christop >
article
Camille LeFevre muses on the distinctly Scandinavian architectural and cultural sensibility behind the summer houses fea >
article
Writer Maggie Ryan Sandford profiles the artists behind Landland, Jessica Seamans and Dan Black, up-and-comers whose int >
article
Matthew Everett chats up the Rockstar Storytellers, accomplished solo performers who come together once a month to rock >
article
Camille LeFevre reflects on the airy, utopian constructions of architect Tomás Saraceno, a number of whose creations are >
article
Brand-free and Iconoclastic: The First Annual "Unbranded" Performances
Theater critic Christy DeSmith offers some reflections on the first annual "Unbranded" performances, which inv >
article
Landscapes of Loss and Transformation
Christina Schmid reflects on "The Presence of Loss" a new collaborative exhibition at Form + Content pairing v >
article
We Come From Everywhere: "Midwest Sanctuary" at Altered Esthetics
Matt Konrad took in the new group show at Altered Esthetics, highlighting work from people around the world who've >
article
Hannah Dentinger reviews Susan Deborah King's "One-Breasted Woman" published by Holy Cow Press ($15.95). >
article
Can Art Be a Weapon Against War?: Guerilla Art
Mark Wojahn found "Guerilla Art" to be authentic but spotty, but worth seeing, all in all. >
article
Book Review: "Miniatures" by Norah Labiner
This review first ran in Rain Taxi, an Alternative Press Award-winning quarterly magazine published in Minneapolis. >
