Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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Getting Out Letter 8: Greetings from the Future, sweet eric, or the Past, by Now.
Following their previous two letters detailing their departure from art making, Eric Avery returns with an announcement: >
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As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
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An Exercise in Sensing Emotions Through Plants
Jess Hirsch, artist and founder of the Women's Woodshop, explores the power of plants to reveal our intentions and >
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Seeing Plants: Vision and Botany in Contemporary Art
Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >
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Here to Make NICE and Changes to the Asian American Canon
Writer, actor, and filmmaker Naomi Ko expands the conversation on representation in media, asking what it means to creat >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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To Come Back to Love: Reminders for Making Visible the Invisible
Filmmaker Xiaolu Wang shares a love letter to her collaborators, revealing the complex dynamics of friendship, family, a >
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Even "The Smallest Cell Remembers": Notes on Research
Mn Artists guest editor Chaun Webster considers the precariousness of research, evidence and memory in black geographies >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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Trauma is a Time Machine: Art and Healing in Troubled Times
Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >
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Kevin Obsatz on his education as an artist, both as a student and teacher of filmmaking, and in his experiences outside >
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Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >
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Kevin Obsatz on his experiences as a PA working on a documentary about the 2004 campaign season and, specifically, the s >
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Filmmaker and educator Kevin Obsatz on art experiments, the freedom in making "unmarketable" work, exercises i >
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Critic and curator Johanna Burton on Alexa Horochowski's "Vortex Drawings," for which the artist uses win >
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Filmmaker Kevin Obsatz on the ritual and ethos of practice in game-play, games as media of communication, and some relat >
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Into the Groove: When Curators, Artists, and Critics Dance
Christina Schmid on the "dancing together naked in public" that artists and critics do, as seen through the le >
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Stephanie Fox profiles some of the Pagan artists collaborating to show the art and living practice of this increasingly >
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Let's Talk About the "Universal" (White, Male) Artist
In a sprawling essay meandering from Joseph Beuys and George Morrison to recent MFA thesis work by MCAD graduate Nick Ri >
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Artist Alexa Horochowski's personal essay wanders through the bitter chill of midwinter, from experiments in the So >
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WATCH - The Pangaea Station: The Chimera of Arezzo
Our underground video series by Taylor Baldry makes a special return with more fun facts about art history brought to yo >
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Steel & Air: A New Year's Motionpoem
As a gift to the city of Minneapolis for the New Year, the Twin Cities-based poetry film company commissioned Sparky Sto >
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Camille LeFevre looks into "hypernatural" design, tech-meets-architecture-meets-sci fi innovation that embrace >
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Revolver invites Fringe Festival artists to turn the tables and review the audiences. >
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The demographics and economic realities of rural America are shifting. >
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WATCH: Superscript 2015 Keynote, Ben Davis
National art critic for Artnet News, Ben Davis, makes a case for "post-descriptive criticism," writing about a >
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WATCH: Superscript 2015 Keynote, James Bridle
"Citizen-Ex" creator James Bridle on surveillance, citizenship, art and activism. >
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When once-hidden details of Native heritage eventually come to light for later generations, people so assimilated they h >
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An exchange between artists Sean Smuda and Nickelangelo (a.k.a. >
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A Club at the End of the World
Christina Schmid reviews Alexa Horochowski's melancholic new work, "Club Disminucion," which she calls a >
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The Creative City Challenge-winning installation, "Balancing Ground," in downtown Minneapolis takes its cues f >
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mnartists.org director Scott Stulen recently left to become a curator for the Indianapolis Museum of Art. >
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Photographer Peter Happel Christian is as concerned with the material experience of his medium as he is its results: tha >
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A group of Midwestern artists gets snowed in Up North. >
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Andy Sturdevant reflects on the peculiarly Minnesotan virtues of Chris Larson's work, marked both by "a plenit >
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Minnesota's Third Biennial: The Art Stands Alone
Individual pieces may stand out, but the hands-off, artists-first approach of , , , ends up making the show largely >
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Remnants and Curiosities of the Natural World
Seven established artists explore intersections of the human and animal worlds, the technological and organic spheres, a >
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After a trip to Three Rivers Park District's newest addition, writer Stephanie Xenos is convinced that even inveter >
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Using the lens of scientific scrutiny and the emotional possibilities of re-scaling everyday waste for public view, two >
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On the boundaries of community, both intangible and concrete, the lonesome freedoms afforded by 21st century phone cultu >
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Design critic and artist Glenn Gordon offers his eloquent, if ambivalent, reflections on everyday design and the masses >
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Miranda Trimmier asks, how can we repair the wearisome effects of endless novelty? >
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What's the Meaning of All This?
Considering the art of interpretation by way of three shows at Pete Driessen's TuckUnder space, where the art stand >
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