Sean Connaughty reflects on the tales left behind in our garbage, stories about human choice and ignorance that will be >
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Ramble Ramble: Art Shanty Projects
Musician, biking advocate, and rambling art critic Ben Weaver winds his way through the cities' late-winter slush t >
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Steel & Air: A New Year's Motionpoem
As a gift to the city of Minneapolis for the New Year, the Twin Cities-based poetry film company commissioned Sparky Sto >
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Camille LeFevre looks into "hypernatural" design, tech-meets-architecture-meets-sci fi innovation that embrace >
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Can We Envision Communities Beyond Place, Beyond Ownership?
Concentrated pockets of power functioning multilaterally and multinationally are required to uphold the dizzying capital >
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Curator Mary Coyne weighs in on disparities in the art world, between alternative and institutional art spaces, patrons, >
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Camille Erickson takes a birds-eye view on the recent Hand in Glove gathering, summing up the calls to action we might t >
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What is the Work of Art Worth?
Emily Gastineau makes a case for more capacious language around the value of artists' labor and contribution, langu >
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One Night in the Alleyway Institute
Rob Callahan reports back from Gamut Gallery's ephemeral, back alley art collaboration-cum-"carnival of urban >
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The Colonial Logic of the Independent Artist
Emily Gastineau recaps a conversation on "Place, Race, Geography and Power" at the recent Hand in Glove confer >
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Let's Spend Some Time Unpacking the Uncommon Field, Too
Camille Erickson reports back from Hand in Glove 2015, and wonders: Why not unpack the assumptions behind holding a &quo >
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A Perpetual Feedback Loop of Inspiration
Judy Onofrio's life's work defies easy categories, seamlessly blending art and craft, and the spheres of home, >
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Susannah Schouweiler reports back from her discombobulating, one-on-one performance of "closer" by BodyCartogr >
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Sheila Dickinson reviews the latest by lesser mortals, "Art (Like It Matters)," at the Weisman Art Museum for >
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In Practice: Curator Sarah Schultz
Lightsey Darst and curator Sarah Schultz on work vs. >
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The demographics and economic realities of rural America are shifting. >
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Camille LeFevre reviews Morgan Thorson's new "endurance-based dance work," happening in the Weisman Art M >
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A Walking Tour Through Paradise
Novelist Sarah Stonich teams up with artist Mickey Smith for a photo-essay on this year's iteration of "headla >
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Humane Portraits from a War-Torn Region
Osama Esid's "Still/Life/Syria" invites a moment's reflection in the midst of Northern Spark's >
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Imagine, Mr. Speaker, a World Without Balloons (Part 1)
Americans have always seen civic life as happening on a stage, each citizen performing democracy. >
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Sam Gould makes the case for a rangier sort of socially-engaged art, one that forgoes easy, artworld-friendly categories >
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For several months this fall, Carson Davis Brown illicitly created and exhibited arresting, monochromatic assemblages in >
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Building a House for the Twilight of the Gods
There are weird buildings all around us. >
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When once-hidden details of Native heritage eventually come to light for later generations, people so assimilated they h >
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Why Is It So Difficult to Talk Critically About Socially Engaged Art?
Definitions of terms for work loosely designated as "social practice" is contentious business. >
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Sheila Regan reports back from the recent Giant Steps conference in Minneapolis, on the winding paths and professional t >
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Answers to your common questions about how to use the new site. >
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Go past the ping-pong table, past exits for the “Historic Staircase” and the oversized games, and at the very back of th >
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The Creative City Challenge-winning installation, "Balancing Ground," in downtown Minneapolis takes its cues f >
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What are the Real-World Impacts of Creative Placemaking?
NEA, ArtPlace and others have poured millions of dollars toward creative placemaking projects in the Twin Cities in rece >
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Paying it Forward in Pittsburgh
Minneapolis-based artist and curator Sandra Teitge reports back from Pittsburgh, PA, on the Transformazium and Conflict >
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Like an outdoor wedding bad weather has forced into a church basement, the 2014 Northern Spark fulfilled its purpose, bu >
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Juxtaposition Arts' innovative youth art and design lab is growing fast and getting national recognition for puttin >
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Art at the Edges of Everything
Minneapolis-based artist and curator Sandra Teitge reports back from Marfa, Texas, in the first of an occasional series >
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What's the Meaning of All This?
Considering the art of interpretation by way of three shows at Pete Driessen's TuckUnder space, where the art stand >
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New York mag's art critic Jerry Saltz describes what artists and critics do as "dancing naked in public," >
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Jay Orff asks, "Is food packaging art?" From Warhol's famous soup cans to the minimalist design of the bo >
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Why is the College of Visual Arts Closing, and What Comes Next?
Camille LeFevre digs behind the official talking points, speaking to CVA's interim president, faculty and alumni ab >
