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Mn Artists (Articles / Feature)

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Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >

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Molly Fuller

Getting Out Letter 9: To my forever work wife [you know who you are],

Molly Fuller reflects on getting out of the literary publishing world and beginning a new career in nursing—and how her >

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Eric Avery

Getting Out Letter 8: Greetings from the Future, sweet eric, or the Past, by Now.

Following their previous two letters detailing their departure from art making, Eric Avery returns with an announcement: >

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Charles Campbell

Getting Out Letter 6: Dear Moheb,

Interdisciplinary artist Charles Campbell delivers a rant to the guest editor himself in a series of abandoned formats, >

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Molly Van Avery

Getting Out Letter 3: Dear darling Harper just now two years old,

Educator, arts administrator, and artist Molly Van Avery chronicles the fundamental shifts in her creative practice sinc >

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Christina Schmid

An Un/Education

As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >

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Moheb Soliman

Getting Out Letter 1: Gurumaan, hello

Incoming guest editor Moheb Soliman introduces the series Getting Out: a series of letters sampling varied perspectives >

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Jess Hirsch

An Exercise in Sensing Emotions Through Plants

Jess Hirsch, artist and founder of the Women's Woodshop, explores the power of plants to reveal our intentions and >

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Pao Houa Her

"The Story" & "Father"

Two stories by visual artist and photographer Pao Houa Her illuminate the transformative presence of plants within perso >

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Sarah Nassif

Plants, A Key to Creativity

Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestr >

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Regan Golden

The Green Behind the Glass: Collecting and Protecting Plants from Around the World

Guest editor Regan Golden interviews Lisa Philander, the Director and Curator of the University of Minnesota College of >

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Jiamu Wu

Groundbreaking: The Calendar of Daily Fractures

Artist and photographer Jiamu Wu cracks open the deep observation of road surfaces that grew into the project Daily Frac >

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Ian Hanesworth

The Long Practice of Cumulative Attentiveness

Interdisciplinary artist Ian Hanesworth considers the shifts of attention that arose in the process of their print serie >

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Regan Golden

Seeing Plants: Vision and Botany in Contemporary Art

Visual artist and writer Regan Golden, the incoming guest editor of Mn Artists, introduces Seeing Plants, a series of wr >

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Monika Hetzler

Comedy Is Like a Fuckboy

Comedian and improviser Monika Hetzler recounts how comedy—while it is still often inaccessible—allowed her to shift her >

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Tori Hong

Arriving In Between Homecomings and Liberation

Visual artist Tori Hong depicts the tension between process and profession, personal and public that weaves throughout t >

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June Kuoch

“Selfie” and “Complicated”: Two Poems

Two poems by abolitionist-activist-academic-artist June Kuoch seek to navigate the corporality of the trans Asiatic body >

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Naomi Ko

Here to Make NICE and Changes to the Asian American Canon

Writer, actor, and filmmaker Naomi Ko expands the conversation on representation in media, asking what it means to creat >

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Su Hwang

The United States of Han

Poet Su Hwang digs into the influence of han in her Korean lineage, the kickassery of untranslatable words into English >

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heather c. lou

does this mean i’m a real artist now?

Artist-educator heather c. >

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Simi Kang

Experience Is Expertise

Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >

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Xiaolu Wang

To Come Back to Love: Reminders for Making Visible the Invisible

Filmmaker Xiaolu Wang shares a love letter to her collaborators, revealing the complex dynamics of friendship, family, a >

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May Lee-Yang

The Ethics of Writing About Throwaway Women

Writer and performance artist May Lee-Yang speaks back to the critics — advocating for greater specificity in telling Hm >

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Chaun Webster

Even "The Smallest Cell Remembers": Notes on Research

Mn Artists guest editor Chaun Webster considers the precariousness of research, evidence and memory in black geographies >

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Shannon Gibney

My Blackness. (Still) Unfinished.

Writer, educator, activist and author of the novels See No Color and the latest Dream Country, Shannon Gibney, writes a >

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Terrion L. Williamson

Everything Is Everything, or How Black Women Will Survive the End of the World

Terrion L. >

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Davu Seru

Are We Black Yet?: On Blackness as Art

Drummer, composer, writer and professor of African American literature and culture Davu Seru explores a body of ideas be >

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Keno Evol

Black Convivial: On Blackmospheres and Sci-fi Social Work

Poet and educator Keno Evol explores Sci-fi Social Work, black sociality, and where “wreckage meets possibility.” >

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Aaron Mallory

Out of Place: Black Triage and its Afterlife

PhD candidate in geography and writer Aaron Mallory explores the space between injury and death to discuss the afterlife >

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Lisa Marie Brimmer

A case for this: the (new Black) here and now

Writer and cultural strategist Lisa Marie Brimmer sketches an invitation to black post-blackness, a spiral encompassing >

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Chaun Webster

Blackness and the Not-Yet-Finished

Mn Artists guest editor, poet and sound artist Chaun Webster, critically engages Douglas Kearney's conceptualizatio >

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Bethany Lacktorin and Nik Nerburn

Backyard Histories: Bethany Lacktorin and Nik Nerburn in Conversation

Artists Bethany Lacktorin and Nik Nerburn gathered in a Google Doc to discuss how their story-based work engages with th >

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Ashley Hanson and Mary Welcome

We Are All We Have: The Practice of Neighboring

Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >

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Fatima Camara

My Mother and I

Spoken word artist Fatima Camara ruminates on her relationship to her mother, her mother’s roots in Gambia, and how reim >

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Michael Kleber-Diggs

Black Joy

Poet and essayist Michael Kleber-Diggs offers an episodic meditation on black joy, conjuring memories of family, food, d >

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Wendy Thompson Taiwo

Black Is a Country

Some of the most important dialogues we engage in as artists are the ones we have with those we love. >

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Free Black Dirt

What Does a Black Liberation Future Look Like?

To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >

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Maya Beck

Black Men on the Moon

Maya Beck charts a lineage of black trailblazers, from John Coltrane to Kid Cudi to her own father, examining the partic >

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S.D. Chrismon

When the Problematic Fuels Your Creative Drive

Writer S.D. >

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Senah Yeboah-Sampong

Frankenstein AF

Senah Yeboah-Sampong delivers a fresh reading of Mary Shelley's Frankenstein through a contemporary Afrofuturist le >

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Mara Duvra

A body / a sign : On Black subjectivity / interiority / finding tenderness: beyond political meaningfulness

Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >

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Jordan K. Thomas

A Memeorial: To Lay a Hate Symbol to Rest

Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >

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Christina Schmid

Trauma is a Time Machine: Art and Healing in Troubled Times

Recent exhibitions at Public Functionary and Macalester College's Law Warschaw Gallery address two sides of a quest >

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Kevin Obsatz

Immeasurable Re-creation

Kevin Obsatz on his education as an artist, both as a student and teacher of filmmaking, and in his experiences outside >

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Camille LeFevre

The Weather Diaries

Mixing Icelandic fashion, arresting photography, video, and lush installation, a new exhibit at the American Swedish Ins >

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Kevin Obsatz

The Illusion of Encounter

Kevin Obsatz on his experiences as a PA working on a documentary about the 2004 campaign season and, specifically, the s >

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Ben Weaver

Where Paths Cross

Fresh from a winter biking trip through the North country, musician Ben Weaver returns to the political and cultural fra >

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Kevin Obsatz

The Believing Game

Filmmaker and educator Kevin Obsatz on art experiments, the freedom in making "unmarketable" work, exercises i >