Why Is It So Difficult to Talk Critically About Socially Engaged Art?
Definitions of terms for work loosely designated as "social practice" is contentious business. >
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Producer Marya Morstad continues the Radio mnartists series of podcasts and KFAI radio interviews with Minnesota artis >
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Sheila Regan reports back from the recent Giant Steps conference in Minneapolis, on the winding paths and professional t >
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The Colonial Logic of the Independent Artist
Emily Gastineau recaps a conversation on "Place, Race, Geography and Power" at the recent Hand in Glove confer >
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What is the Work of Art Worth?
Emily Gastineau makes a case for more capacious language around the value of artists' labor and contribution, langu >
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On Minnesota's second coldest March 1st ever, electronic musicians Justin Meyers, Eric Frye and Jeff Witscher playe >
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Go past the ping-pong table, past exits for the “Historic Staircase” and the oversized games, and at the very back of th >
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Radio mnartists: Mankwe Monika Nkatuati Ndosi
Producer Marya Morstad continues the Radio mnartists series of web and radio interviews with Minnesota artists. >
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Radio mnartists: Kathryn Haddad
Producer Marya Morstad continues the Radio mnartists series of web and radio interviews with Minnesota artists. >
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Producer Marya Morstad continues the Radio mnartists series of web and radio interviews with Minnesota artists. >
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Radio mnartists: Monica Sheets
Producer Marya Morstad continues the Radio mnartists series of web and radio interviews with Minnesota artists. >
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Radio mnartists : Open Eye Figure Theatre
Producer Marya Morstad continues the Radio mnartists series of podcasts and KFAI radio interviews with Minnesota artis >
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Is the art world necessarily a dog eat dog place? Does reputation mean more than substance? >
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Segrelicious is a state of minds, an experiment in race and culture. >
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Bits and Pieces In a Semblance of a Whole, an essay by Jon Nelson
Festival of Appropriation co-curator Jon Nelson gives a behind-the-scenes glimpse into the assembly of this one-of-a-kin >
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Radio mnartists : Exposed Brick Theatre
Producer Marya Morstad continues the Radio mnartists series of podcasts and KFAI radio interviews with Minnesota artis >
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Producer Marya Morstad continues the Radio mnartists series of podcasts and KFAI radio interviews with Minnesota artis >
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Culturenauts Land on the Planet of St. Paul
Jay Gabler investigates the story behind the creation of a new website, "St. >
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Producer Marya Morstad concludes her series Radio mnartists -- podcasts and KFAI radio interviews with Minnesota artis >
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A Note From the Outgoing mnartists.org Project Director
mnartists.org Project Director Kathleen Kvern offers a survey of where this democratic online arts project has been and >
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Every region has its beloved local musicians, but Minnesota is particularly fanatical about the hometown talent. >
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Composer, pianist and the curator of Minnesota Orchestra's new "Jazz in the Target Atrium" series, jazz c >
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Artist and curator Cheryl Wilgren Clyne begins a photo essay series about artists and studios - starting with her own, a >
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Sean Smuda on Eric Frye's series for Midway Contemporary Art on "compositional epistemologies," an erudit >
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Jeremy Walker on the riddle of Duke Ellington's legacy in American culture and what it says about the place of jazz >
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Like Beyoncé Said, Fuck You, Pay Me
#Superscript15 blogger Samantha Wisneski looks into the issues of fair pay, "exposure," and digital arts publi >
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Getting to Know the Fringe in a Biblical Way
Mn Artists' editor reports back after a full evening of shows wrestling with angels, coming to Jesus, making deals >
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Trash Films and the People Who Love Them
"Trash film" screenings have moved from midnight movie showings to art house cinemas and megamall multiplexes, >
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Let's Spend Some Time Unpacking the Uncommon Field, Too
Camille Erickson reports back from Hand in Glove 2015, and wonders: Why not unpack the assumptions behind holding a &quo >
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Camille Erickson takes a birds-eye view on the recent Hand in Glove gathering, summing up the calls to action we might t >
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There’s been a culinary revolution in farm-to-table, artisanal fare around here. >
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Remembrance of Things Past, Revived for the Present
27 years after its premiere, now that AIDS has receded in our cultural consciousness, gay marriage is legal, transgender >
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Ramble Ramble: Shall We Cross, Beer and Water
Ben Weaver reflects on the last of "30 Days of Biking," and on the tangled questions of water, beer, and the h >
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2016 Art-A-Whirl: A Cheat Sheet
Mn Artists editor Susannah Schouweiler introduces a new series of profiles of NEMAA artists and offers a handpicked sele >
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Davu Seru on the state of the Twin Cities jazz scene—on its competing mythospheres and various hustles, its labor given >
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Music writer Youa Vang chats with two of the composers whose works will be featured in this week's "Cedar Comm >
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What's It Like to be a Young Black Artist in the Twin Cities?
Writer Lara Mimosa Montes sits down with emerging artists from MCAD's Black Artist Student Union, who presented the >
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At a screening of experimental films at the Minneapolis/St. >
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Conversations on Misogyny and the Music Scene, Pt. 1
Musician Kat Fox speaks up about battling dudebrah culture in the music scene in the first of two candid conversations w >
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Misogyny: Hip-Hop's Problem Child
Rob Callahan talks with three women in the local hip-hop scene — Desdamona, Royalty, and JaysoCreative — in the second o >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Writer, public artist, and cultural organizer Shanai Matteson ponders the slow work of relationships, the language of so >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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Producer Marya Morstad continues the Radio mnartists series of podcasts and KFAI radio interviews with Minnesota artis >
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One Night in the Alleyway Institute
Rob Callahan reports back from Gamut Gallery's ephemeral, back alley art collaboration-cum-"carnival of urban >
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Getting Out Letter 4: TO: Where It May Concern, 514 2nd St SE Minneapolis, MN 55414
Following the announcement that the Soap Factory will close for good, the former Gallery Director Kate Arford pens a let >
