Writer Alexis Zanghi responds to works by Candice Davis, Nancy Julia Hicks, and Judith Holo Shuǐ Xiān with Dua Saleh at >
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Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Am >
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A Body of Art Subverts the Ban
Writer and performer Nusaiba Imady investigates translation, trauma, authorship, and the body in her response to the fou >
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Writer and ethnographer Nicole Nfonoyim-Hara responds to Mn Artists Presents: Jovan C. >
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Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. >
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Being In Place: Selma Fernandez Richter's "The Ache for Home"
Regan Golden responds to Selma Fernandez Richter's recent exhibition portraying the complex process of immigration, >
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Miriam Karraker contributes poems after Jennifer Nevitt’s "Sans Terre" at the Minneapolis Institute of Art, en >
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A Deep-Rooted Sweetness: Bobby Rogers' The Blacker the Berry
Artist and writer Amina Harper dives deep into the lush imagery of Bobby Rogers, weaving together the fraught history of >
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A Braided History in a Time of Resistance
Arts writer Sheila Regan offers an embodied meditation on family, storytelling, and the strength and fragility of the bo >
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Suzanne Szucs on Rochester Art Center's "Minnesota Goes Pop" exhibition, which takes Andy Warhol's w >
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Camille LeFevre reviews the latest incarnation in Morgan Thorson's "Still Life" series, this time made fo >
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An Exquisite Preeminence of the Body
In the Walker's expansive exhibition, "Merce Cunningham: Common Time," artistic disciplines effortlessly >
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Though all of Christopher Baker's latest installations rely on clever use of new technologies, there’s something ol >
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Camille LeFevre reports back on the Guggenheim's retrospective exhibition of work by noted abstract painter Agnes M >
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A Country Large Enough to Hold Both Melancholy and Evanescence
Writer Sheila Packa on the histories, large and small, beautiful and violent but always in flight, in Michelle Matthees& >
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Amanda Hamilton's new series of small works grapple with the transcendence and despair of our present moment, with >
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Bluebeard Meets Ibsen in a Gilded Age Mansion
Camille LeFevre reviews Combustible Company's campy, absorbing production, "Bluebeard's Dollhouse," >
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Artists blend, twist, and re-envision elements of "nature that transfixes" in a sprawling indoor/outdoor exhib >
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Pao Houa Her's collection of photographs of young Hmong women and silk flower arrangements offer subtle commentary >
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Black steers all varieties of brightness into the shade, darkening and deepening lighter hues. >
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The Mill City Museum's historic Ruin Courtyard makes a surprisingly fitting setting for this rendition of the gleef >
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For all its media-rich elements, there's an air of the ancient, an uncanny, old-as-time tension between dreaming an >
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Tim Nolan reviews Connie Wanek’s latest collection of poetry, "Rival Gardens: New and Selected Poems" from Uni >
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Shawna Gilmore's Peaceable Kingdom
Looking to fairy tales, myths, and other beloved imaginary landscapes for inspiration, Shawna Gilmore's works offer >
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Terrible Beauty in a Flawed System
Amanda Curreri's provocative work across media sits at the intersection of contemporary art, activism, and history >
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Sheila Packa reviews the latest collection of prose poems from Julie Gard, "Home Studies," which turns on lov >
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Critic Mary Coyne looks into the unlikely juxtapositions, uncanny histories, and symbolic gestures of a new, collaborati >
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Christina Schmid looks into the quiet tension in the corners of Andrea Büttner's work, between humility and humilia >
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Andrea Carlson delves into the layered storytelling and stagecraft of two installations recently on view at Philadelphia >
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What Constitutes "American" Art?
Minnesota Museum of American Art invites five curators, from a diverse range of cultural backgrounds, to select work tha >
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Cheating Death: The Moving Images of Ana Mendieta
Even 30 years after her death, viewed in light of current political battles over women’s autonomy and equality, the sile >
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Rollin Marquette’s new drawings are not studies or plans for specific sculptures. >
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Hmong-Lao/Lao-Hmong Friendship: It's Complicated
Playwrights May Lee-Yang and Saymoukda Duangphouxay Vongsay defy deeply entrenched inter-community divides and glib cult >
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A Vision of the Future as a Thing of the Past
Artist Andrea Carlson reviews Alison's Hiltner's latest sci-fi tinged photographs and sculptures, an exhibitio >
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Everything Was Beautiful and Nothing Hurt
Camille LeFevre on the ways ballet is going mainstream, from Starz network's new show, "Flesh and Bone," >
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Craig Olson reviews "superusted," the Soap Factory's fourth Midwest Biennial, curated this time by Cheryl >
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Two years after the hard-won legalization of gay marriage, queer couples are just as respectable as their straight count >
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There's a gently subversive play with medium and history in Karen Savage Blue's paintings — oscillating betwee >
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Putting the Buzzwords of Engagement Into Motion
Emily Gastineau unpacks the ways BodyCartography Project is using real dance skills of sensing, paying attention, and ex >
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The Story of a Century Told in 100 Photos
Art historian Laura Sivert reviews Minneapolis Institute of Art's intimate photography show, "100+," disp >
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New work by Shana Kaplow and Rebecca Krinke explores the usually unremarked global, personal, political stories tangled >
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Susannah Schouweiler reports back from her discombobulating, one-on-one performance of "closer" by BodyCartogr >
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Sheila Dickinson reviews the latest by lesser mortals, "Art (Like It Matters)," at the Weisman Art Museum for >
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Curator and writer Mary Coyne reviews the new works featured in this year's Momentum showcase, by Luke Olson-Elm, H >
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Digging Up the Ghosts of Modern Dance
Emily Gastineau reviews "Appalachian Spring Break," the latest from choreographer Scott Heron, which revives ( >
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Camille LeFevre reviews Morgan Thorson's new "endurance-based dance work," happening in the Weisman Art M >
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The elegant decay of both the setting and characters in Flannery O'Connor's novel, Wise Blood, provide an idea >
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