Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores >
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Backyard Histories: Bethany Lacktorin and Nik Nerburn in Conversation
Artists Bethany Lacktorin and Nik Nerburn gathered in a Google Doc to discuss how their story-based work engages with th >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider >
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Writer, public artist, and cultural organizer Shanai Matteson ponders the slow work of relationships, the language of so >
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Matthew Fluharty, the incoming guest editor of Mn Artists, outlines the vision for his editorial series focused on “loca >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform. >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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A Memeorial: To Lay a Hate Symbol to Rest
Responding to Mn Artists Presents: Eric Larson’s Meme Town, Jordan K. >
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At a screening of experimental films at the Minneapolis/St. >
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What's It Like to be a Young Black Artist in the Twin Cities?
Writer Lara Mimosa Montes sits down with emerging artists from MCAD's Black Artist Student Union, who presented the >
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Filmmaker and educator Kevin Obsatz on art experiments, the freedom in making "unmarketable" work, exercises i >
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Filmmaker Kevin Obsatz on the ritual and ethos of practice in game-play, games as media of communication, and some relat >
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Though all of Christopher Baker's latest installations rely on clever use of new technologies, there’s something ol >
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NEMAA Artist Series: Animating the City
Susannah Schouweiler profiles John Akre, whose quirky stop-motion films and street-animation ventures give voice to the >
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For all its media-rich elements, there's an air of the ancient, an uncanny, old-as-time tension between dreaming an >
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Can We Envision Communities Beyond Place, Beyond Ownership?
Concentrated pockets of power functioning multilaterally and multinationally are required to uphold the dizzying capital >
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Camille Erickson takes a birds-eye view on the recent Hand in Glove gathering, summing up the calls to action we might t >
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What is the Work of Art Worth?
Emily Gastineau makes a case for more capacious language around the value of artists' labor and contribution, langu >
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One Night in the Alleyway Institute
Rob Callahan reports back from Gamut Gallery's ephemeral, back alley art collaboration-cum-"carnival of urban >
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The Colonial Logic of the Independent Artist
Emily Gastineau recaps a conversation on "Place, Race, Geography and Power" at the recent Hand in Glove confer >
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Let's Spend Some Time Unpacking the Uncommon Field, Too
Camille Erickson reports back from Hand in Glove 2015, and wonders: Why not unpack the assumptions behind holding a &quo >
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Putting the Buzzwords of Engagement Into Motion
Emily Gastineau unpacks the ways BodyCartography Project is using real dance skills of sensing, paying attention, and ex >
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Trash Films and the People Who Love Them
"Trash film" screenings have moved from midnight movie showings to art house cinemas and megamall multiplexes, >
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Emily Gastineau ponders the evolving currencies of attention in the arts, what it means to produce something for another >
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Susannah Schouweiler reports back from her discombobulating, one-on-one performance of "closer" by BodyCartogr >
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Humane Portraits from a War-Torn Region
Osama Esid's "Still/Life/Syria" invites a moment's reflection in the midst of Northern Spark's >
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WATCH: Superscript 2015 Keynote, Ben Davis
National art critic for Artnet News, Ben Davis, makes a case for "post-descriptive criticism," writing about a >
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WATCH: Superscript 2015 Keynote, James Bridle
"Citizen-Ex" creator James Bridle on surveillance, citizenship, art and activism. >
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The Digital World Has Made Performers of Us All
The best writing online does more than put beautifully turned phrases on a screen — it performs ideas in digital space. >
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Like Beyoncé Said, Fuck You, Pay Me
#Superscript15 blogger Samantha Wisneski looks into the issues of fair pay, "exposure," and digital arts publi >
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Speculations on Digital Arts Media's Future(s)
We asked journalists, artists, and critics — from Washington Post and ArtSlant to MinnesotaPlaylist.com, Culturebot, Art >
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Wunderkammer Redux (Or, An Unnatural History)
In the most elegant possible way, Kate Casanova's work across media sets out to make our habits of perceiving the b >
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Artist Aaron Marx offers a dispatch from the first in a series of juried exhibitions planned by Make It Move, a new Minn >
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What's So Funny? - With Geoff Tate
Comedian Geoff Tate chats with Levi Weinhagen about depression, writing on stage and the impact being a touring comic ca >
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What's So Funny? - With Jackie Kashian
Levi Weinhagen talks shop with nationally touring comedian Jackie Kashian, host of a weekly podcast, "Dork Forest,& >
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Artist and curator Cheryl Wilgren Clyne begins a photo essay series about artists and studios - starting with her own, a >
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The Columnest: Of Pinterest and Porn and Good Bad Decisions
Lightsey Darst on writer's block and pinning recipes with your mother-in-law, Rule 34 and the black hole at the cen >
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What's So Funny? - With James Moore
Comedy writer and performer James Moore talks about starting ComedySportz as a high schooler and how, 20 years later, st >
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Sam Gould makes the case for a rangier sort of socially-engaged art, one that forgoes easy, artworld-friendly categories >
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Are Podcasts the Future of Public Broadcasting?
Podcasts have grown into far more than a nerdy, underground pastime. >
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For several months this fall, Carson Davis Brown illicitly created and exhibited arresting, monochromatic assemblages in >
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When once-hidden details of Native heritage eventually come to light for later generations, people so assimilated they h >
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Why Is It So Difficult to Talk Critically About Socially Engaged Art?
Definitions of terms for work loosely designated as "social practice" is contentious business. >
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