What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics of Afrofuturism, healing, prison abolition and transformation. A video by Adja Gildersleve captures the highlights.
When we first visited the James J. Hill House on Summit Hill in St. Paul, it was the leather wallpaper in the dining room that stopped us. The walls were covered with the rippled skin of an animal—no, dozens of animals. The tour guide said that Hill had imported the hide from the U.S.…
Senah Yeboah-Sampong delivers a fresh reading of Mary Shelley's Frankenstein through a contemporary Afrofuturist lens, considering how bodies come to be read as monsters out of fragility and fear.
Someone, or something, took the life of a young boy from a well-to-do family. The only suspect was the victim’s housekeeper, Justine.…
"'La Créature de Frankenstein' by KLAT @ Plainpalais @ Geneva" by Guilhem Vellut is licensed under CC BY 2.0.
Imagination Blueprint, Liberation Technologies: A Conversation with Free Black Dirt
Mn Artists welcomes Free Black Dirt as the guest editors of our editorial platform.
Free Black Dirt was born serendipitously in a community college LGBTQ literature class in 2001, when two nerdy Black girls connected for the first time.…
Free Black Dirt. Photo: Sarah White/Fotos for Barcelona Photography.
Anti-Ethnography: The Violence of a Civilization Without Secrets
Following a program of indigenous filmmakers curated by Adam and Zack Khalil, poet M.J. Gette chews on violence in ethnography, embodiment in archive, manipulation in documentary, and positionality in language.
Still from The Violence of a Civilization Without Secrets, Adam Khalil, Zack Khalil, and Jackson Polys (2017).…
A body / a sign : On Black subjectivity / interiority / finding tenderness: beyond political meaningfulness
Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representation of otherness, making manifest calm, interiority, and gestures of tenderness.
In order to speak a truer word concerning myself, I must strip down through layers of attenuated meanings made an excess … over time, assigned by a particular historical order, and there await…
Feminizing the Axe
Jess Hirsch, founder of Women's Woodshop in Minneapolis, calls for a reworking of craft practices and the gendering of tools.
Photo credit: Studio Zu.…
Being In Place: Selma Fernandez Richter's "The Ache for Home"
Regan Golden responds to Selma Fernandez Richter's recent exhibition portraying the complex process of immigration, replete with joy and relief, sadness and anxiety.
Selma Fernandez Richter, Kristina and great grandmother Dhan Piakurel, Saint Paul, MN, 2011.…