Plants, A Key to Creativity
Textile designer, public artist, and field botanist Sarah Nassif traverses the overlap between her work in urban forestry and socially engaged art, facilitating transformative encounters with plants and inspiring the public to notice nature everywhere.
Photo: Sarah Nassif.…More
The Trauma Question
Writer and cultural strategist Lisa Marie Brimmer responds to the May 2019 event Mn Artists Presents: Anat Shinar and Amal Rogers as “surreal immersion theater", untangling the complex relationships between artists, institutions, and audiences, and calling for new stories to be made possible.
Untitled installation by Maggie Thompson, 2019. Photo by Galen Fletcher, courtesy Walker Art Center.…More
The Long Practice of Cumulative Attentiveness
Interdisciplinary artist Ian Hanesworth considers the shifts of attention that arose in the process of their print series on medicinal plants—and how what we notice can become a gesture of reciprocity with the natural world that supports our lives.
Ian Hanesworth, MN HWY (detail), 2018.…More
Experience Is Expertise
Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain from our ancestors, what qualifies as a “valid” story, how institutions tell stories for us, and how we tell stories about and for ourselves.
When Saymoukda asked me to write for this incredible series, I struggled to find a center for the piece. While I make visual art and poetry, my primary art these days is writing in service to my Ph.D.…More
Notebook: Locating the Folk
Rebekah Crisanta de Ybarra, an interdisciplinary artist, musician, and co-founder of Electric Machete Studios, explores how pathways of migration and displacement in rural towns and urban neighborhoods affect local culture, and the potential of folk art to create belonging across difference.
Lady Xok at MN Original video shoot. Photo: Tania Galaviz.…More
We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a practice of neighboring, in order to show how mutual exchange, compassion, and care can shift the narrative of artistic success.
Some questions without answers, conversational flashcards by Nicole Lavelle. Photo: Mary Welcome, 2018.…More
Getting to the Golden Hour
Michele Anderson, the Rural Program Director at Springboard for the Arts in Fergus Falls, explores how insider/outsider narratives shape perceptions about rural places, and how the complex ways we relate to a place can give rise to our responsibilities within community.
Image of flooded access road from "13 Roads in Otter Tail County," a short film by Nik Nerburn.…More
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Ceramics, clay, glaze
Hand-built incised tray with cone 6 glaze, sculpted nest and eggs, glazed and fired in cone 6 oxidation.
Dean Seal visits the Ancient Traders Gallery on Franklin, and finds a good show there. >
Writer Hannah Dentinger offers an eloquent investigation into the stylish, deft craftsmanship on exhibit at the DAI' >
Ann Klefstad reflects on the new Nelson collection, a gift to the Tweed: artwork and craft by Native artists, from histo >
Mason Riddle calls this show of 2008 McKnight fellows' new work in ceramics "one of the most compelling of its >
KFAI (Minneapolis) profiles the "out of this world" glass creations of artist Michael Lizama. >
A KFAI (Minneapolis) radio feature on Twin Cities crafter Kim Christensen, who collects weeds and native plants growing >
Kristen Anderson of rural Marcell, MN discusses an Arctic map made partially of Arctic muskox fur, a venison-keeper made >
Bemidji-based artist Marion Hunziger-Larsen creates unusual "jewels-in-fiber" art. >
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