This high-concept show has artists imitating each others' works. >
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The Seer of Red Wing: The Art of Charles Biederman
Glenn Gordon, who has been documenting the work and life of Charles Biederman, reviews a small retrospective of this e >
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Creature Discomforts: Comfort Food at Soo Visual Arts Center
"Comfort Food" runs until April 6 at Soo Visual Arts Center, 2640 Lyndale Ave S., 612-871-2263. >
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Michael Fallon reviews "Skin 2003 part 2." It's at the Icebox Gallery in Northeast Minneapolis,
2401 Cen >
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Massive Mint Competition: Altoids Wants You
"The 5th Annual Altoids® Curiously Strong Collection" has its Minnesota debut at the Soo Visual Arts Center, M >
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Adu Gindy : Several Thresholds
Adu Gindys paintings are featured at three galleries in Duluth this month: the Duluth Art Institute, Waters of Superio >
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The Column: How I Became, of All Things, an Art Critic
The Column runs once a week. >
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If You Give a Shit About Painting, Come to This Party
In a house on 6th Street off of Broadway is a new gallery, Image Dump. >
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Jim Denomie: Finding the New Country in the Old
Lightsey Darst went to see Jim Denomie in his studio, to talk to him about his work. >
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The Living Art of the Crow: Running Rabbit by Kevin Red Star
Dean Seal visits the Ancient Traders Gallery on Franklin, and finds a good show there. >
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Is the art world necessarily a dog eat dog place? Does reputation mean more than substance? >
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The Ambiguity of Wonder: Mark Dion, Christine Baeumler, and Eleanor McGough at Gallery Co.
Christina Schmid investigates nuanced renderings of nature's hidden frailties and marvels in "Naked Wonder&quo >
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Bits and Pieces In a Semblance of a Whole, an essay by Jon Nelson
Festival of Appropriation co-curator Jon Nelson gives a behind-the-scenes glimpse into the assembly of this one-of-a-kin >
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Frida Kahlo and Georgia O'Keeffe: a tale of two icons, two exhibitions and one city
It's pure coincidence that two major shows on two top 20th century artists are running concurrently in Minneapolis, >
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Welcome to This World: Rabbett Before Horses Stricklands Paintings and Drawings
Reviewer Hannah Dentinger took in the new Rabbett Before Horses Strickland exhibition at the Tweed Museum of Art in Dulu >
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ART ON THE WALL: Tom Proehl and James LL Morrison on Finding Art in Unexpected Places
Look Around You: Art is Where You Choose to Find it
A conversation on collecting between Emma Berg and Kristoffer Knuts >
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EXCHANGE: A dialogue on art and the mind between visual artist Amy Rice and writer Marya Hornbacher
Amy Rice, acclaimed painter and Spectrum Artworks Director, and Marya Hornbacher, critically hailed author of the forth >
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Shadows of Solidity: Bruce Tapola at the Rochester Art Center
Amanda Vail muses on the masterful interplay of wit, easy familiarity, and alienation in Bruce Tapola's oblique sc >
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Suzanne Szucs interviews painter Adu Gindy about her show and that of Joy Kops and Peter Weizenegger. >
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EXCHANGE: Amy Rice and Marya Hornbacher in conversation about art and the disordered mind (Part Two)
The second installment of a dialogue between Amy Rice, acclaimed painter and Spectrum Artworks Director, and Marya Hornb >
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We Come From Everywhere: "Midwest Sanctuary" at Altered Esthetics
Matt Konrad took in the new group show at Altered Esthetics, highlighting work from people around the world who've >
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A Gumbo of Ideas: Rico Gatson at the MCAD Gallery
Mason Riddle offers a nuanced analysis of this provocative, multi-layered (and multimedia) exhibition by Rico Gatson, wh >
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Landscapes of Loss and Transformation
Christina Schmid reflects on "The Presence of Loss" a new collaborative exhibition at Form + Content pairing v >
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Ephemeral Pleasures: Investigating Micro-exhibitions
Duluth writer Hannah Dentinger goes straight to the source to get the skinny on the factors driving what appears to be a >
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FEATURE: (10,000 Arts) The House that Art Built
Artist Scott Stulen gives an inside look at the story behind ARThouse, the sometimes gallery space that doubles as home >
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Interzone: The Paintings of Christian Nielsen
Artist and Shoebox Gallery founder, Sean Smuda offers an elegant analysis of the mind-bending, gorgeous paintings by Chr >
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Making the Unseen Visible: Glenn Grafelman
Critic Mason Riddle deconstructs the conceptual depths undergirding Glenn Grafelman's philosophically ambitious pa >
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COMMENTARY: What is the State of the Arts in Minneapolis?
Or, "The Future's So Bright, You Gotta Wear Blinders:" arts administrator and critic Michael Fallon comme >
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VISUAL ART: Swimming in Heavy Weather
Tim Tozer's expressionistic seascapes are painterly and atmospheric and, according to critic Mason Riddle, they off >
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MNfashion FLASH: Summer 2008 Judges
Meet our gracious judges for the summer 2008 quarter of the fashion design series, MNfashion FLASH, co-presented by MNFa >
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ESSAY: Dried Blood and Dandelion Wine
Gabe Combs is in and out of trouble with the law, he drinks too much and, now, he's homeless. >
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VISUAL ART: By the People, For the People
Art critic Julie Caniglia reflects on the exhibition "By the People, for the People: New Deal Art at the Weisman,&q >
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Art critic Ann Klefstad reflects on the victorious return of story to art, a triumph evidenced by the narrative-rich wor >
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Critic Mason Riddle took in the second annual "Summer Invitational" group show at Thomas Barry Fine Arts (on v >
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FESTIVALS: The Convention, The UnConvention, and the UnUnConvention
Mason Riddle gives a run-down of arts events running in tandem with the Republican National Convention in St. >
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VISUAL ART: Beginner's Eye, Tinkerer's Heart
Susannah Schouweiler profiles Edina photographer and painter Polly Norman, from the beginnings of her sideways journey i >
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VISUAL ART: What's Old Is New Again
Art critic Mason Riddle offers her take on the Hennepin History Museum's soon-to-close photography exhibition which >
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VISUAL ART: Assessing the 2008 MCAD/Jerome Fellows Show
Critic and artist Ann Klefstad reflects on the fruits of this year's crop of Jerome Fellowships--she's decided >
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Seeing War Through Borrowed Eyes
Author Marya Hornbacher pens an elegant, insightful analysis of Megan Rye's archive of complex, humane paintings do >
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VISUAL ART: Birchbark Boxes, Bandolier Bags, and Modern Art
Ann Klefstad reflects on the new Nelson collection, a gift to the Tweed: artwork and craft by Native artists, from histo >
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2008 YEAR IN REVIEW: The Lists
Local art luminaries Frank Gaard, Emma Berg, and Ruben Nusz offer a grab-bag of their picks for the high (and low) point >
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2008 YEAR IN REVIEW: The Big Picture for Minnesota Arts
Minnesota artists weigh in on the peaks and valleys of 2008, from Vote Yes! >
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VISUAL ART: Performance Captured for All to See
Writer Camille LeFevre took in the show, "Art of Performance," currently on view at Altered Esthetics, and she >
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It's Written All Over Your Face
Artist Ruben Nusz reflects on the very different sorts of inspiration and poetry gleaned from the human face by two arti >
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Artist and sometime local historian Andy Sturdevant investigates the shadow gallery circuit of in-home exhibition spaces >
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Mason Riddle offers a round-up of three gallery exhibitions: "LandEscape" at Thomas Barry Fine Arts, "Cor >
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Artist and occasional critic Ruben Nusz took in the exhibition of paintings by Karel Funk at the Rochester Art Center -- >
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Telling Stories from the Inside Out
Andy Sturdevant seeks out Gudrun Lock, an under-the-radar video artist whose work offers a fresh vision on the ties that >
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